#least that’s what I always think with other artists) but I LOVE angel based designs and characters and AUGH I JUST COULDNT RESIST

[blitheringbongus]

I think skizz would look super cool in your style!

Ty! I had a lot of fun with this one, I don’t really watch him but from what I’ve seen from other peoples videos he seems like a pretty fun guy

(Without glow under the cut!)

[kirain]

Hazbin Hotel and VivziePop Drama

I've been hearing/seeing a lot of drama concerning Hazbin Hotel and it's creator VivziePop, and while I don't know her personally or really care what people think, I do hate slander and the spread of misinformation. Truly nothing in this world upsets me more than when people believe rumours while making no effort to fact check, and that's exactly what's happening right now. That said, I wanted to try and clear up some of the rumours going around about Vivzie and the show, because I think some of them are absolutely outrageous and need to be addressed.

1. Vivzie hired an abuser onto the show.

Now, I’m not here to burn anyone at the stake, especially since I don’t know anything about Chris Niosi (the alleged abuser), who I believe openly admitted to the allegations? Regardless, this is a moot point. He’s not credited anywhere at the end of the episode. So either he was booted before production wrapped up or he had nothing to do with the show in the first place.

2. Vivzie supports bestiality.

Admittedly I thought this one might be true, since she draws so many anthropomorphic animals. In the very least, I figured she was probably a furry, but I haven't seen any evidence supporting this accusation either. Near as I can tell, this rumour started for two reasons. One, because of her famous Zoophobia comic, which revolves around a therapist named Cameron who gets assigned to work with human-like animals. Ironically, poor Cameron suffers from crippling zoophobia, which makes for some pretty decent comedy. I didn't read the whole comic because, quite frankly, it’s not my cup of tea and I just don’t have the time. But from what I saw there are no examples of bestiality anywhere in its contents.

Two, this message, which blew up all over social media:

To me, this just proves that people are more interested in virtue signalling than checking to see if their claims are actually true. Everything about this message is 100% false, which I’ll touch on in my next point.

3. Vivzie is a pedophile and she’s drawn child porn.

This is hands down the worst allegation and holy shit, I really wish people would stop using it to defame someone when they don't have any proof. This is a life-ruining accusation and you're disgusting if you believe it based solely on hearsay. This rumour began to spread when Vivzie allegedly shipped the two underage characters in the above photo and drew them NSFW-style. At the time, one character was 19 while the other was 14, and the relationship was a very illegal student-teacher relationship.

This is WRONG! The characters were not 14 and 19, they were actually 18 and 19, the legal age of consent! Additionally, the relationship wasn't student-teacher. One character is a student and the other is Alumni (a student teacher). This one pisses me off the most because it’s obvious the person who sent that message didn’t even bother to conduct any research. They said, “He’s a teacher, she’s a child.” Both characters are MALE!

Since then, Vivzie has apologised for any NSFW art she drew in the past and stated that it's not a reflection of her art today, and I'm inclined to believe her. Almost every artist has drawn NSFW content at some point in their career, and hers wasn't even distasteful. Other than this one example, there is no evidence anywhere that suggests she’s drawn “child porn”. In fact, she’s never even drawn explicit NSFW.

Please stop spreading this rumour. It’s dangerous and completely incorrect.

4. Vivzie said the "N" word!

No, she didn’t. It was a fabricated tweet. That is all.

5. Vivzie is copyright striking every video that criticises her!

No she isn't. YouTube’s DMCA is automatically striking people who are using full clips without permission. Vivzie has gone public several times, telling people exactly how to avoid getting a copy strike from the algorithm, which is something she absolutely does not have to do. At this point, she doesn't owe you anything. In my opinion, she should just sit back and watch these channels burn.

6. Vivzie copies and traces other artists’ work.

This is another one I’ve seen going around, but I looked into it as thoroughly as I could and failed to find any concrete evidence to support the allegations. As of right now, there are only two examples of Vivzie “copying” or “tracing” other artists’ work, and both of them can be explained. The first is a gif she made with a character from her Zoophobia comic, which looked a lot like the girl from ME!ME!ME!:

Damn, that’s pretty incriminating. She obviously stole-- oh, wait. This gif was part of a ME!ME!ME! MEP (multi editor’s project) and Vivzie didn’t take full credit, despite the fact that it’s not even a direct trace. It’s supposed to look like the original, which she fully cited. The second example comes from a short dance sequence from her Timber video, which seems to have been inspired by several Disney movies. As Vivzie herself stated, that was an homage to the original animations. Lots of artists and shows do this, including the beloved Stephen Universe series.

Regardless, this doesn’t count as stealing character designs or plagiarising someone’s work. It’s meant to be respectful, an admiration of other projects. Other than these two instances, however, there is no evidence of her tracing or stealing other people’s art. From what I’ve discovered, all other designs she’s been accused of “stealing” are characters she bought and paid for. They’re quite literally HER characters.

7. Vivzie supports problematic creators.

I’m getting really tired of guilt by association. Vivzie follows and enjoys some controversial figures, but who cares? We can argue all day about whether or not the accusations against them are true, but it ultimately has nothing to do with the show or Vivzie as a person. I do the exact same thing, to be honest-- follow and listen to people on all sides so I can learn, understand, and form my own opinions. The fact that some people think this is bad, to me, is absolutely mesmerising. Vivzie doesn’t control what the people she follows post, and if they do something overly questionable she publicly criticises and denounces it.

From Vivzie:

Now that that’s been dealt with, I’d like to address some complaints/claims about the actual show.

8. Vaggie is an angry Latina stereotype and a lesbian stereotype. Vivzie is appropriating Hispanic culture and misrepresenting the gay for profit.

First off, I see a lot of people passing around yet more misinformation regarding Vivzie's race. So many people seem to think she's white? Well, I'm here to tell you they're wrong. Very incorrect. Vivzie is in fact Latina, and Vaggie is meant to mirror some of her own personality traits.

Second, who is Vaggie mad at? Context matters, and if we take a look at the episode, we see that Vaggie is literally only mad at two specific people: Angel Dust and Alastor. Why? Well, for starters, it's her girlfriend's dream to run a rehab hotel for sinners, and Angel Dust nearly demolishes that dream single-handedly. Vaggie has every right to be over-the-top vitriolic. Then there's Alastor, a known sadist, narcissist, and murderer who loves trapping people in his nefarious schemes. He invites himself in, effectively takes over the hotel, and pushes both her and Charlie aside. At one point he even sexually assaults her by slapping her butt during his musical number. So yeah, I think her seething ire is totally justified. Keep in mind, however, that when she's around Charlie she's calm, collected, and happy. I wouldn't call that a stereotype.

Thirdly, the lesbian stereotypes. I keep hearing this argument but I really don't see it. Both Vaggie and Charlie have so much personality and trust for each other. Maybe I'm wrong, but the stereotype I know always totes a more butch, tomboyish woman with a ditsy, innocent, naive woman. Charlie is optimistic, but she isn't stupid. She refuses to shake Alastor’s hand because she knows he’s likely trying to screw her over. She’s also not entirely innocent herself and uses words like “fuck” and “shit”. I also wouldn’t call Vaggie butch or tomboyish. She has a cute, girly presentation, complete with a pink ribbon in her hair, lace stockings, and a dress. She's protective of her girlfriend, as I think we all are with our partners, and there's nothing wrong with that. They're flawed characters, as every character is meant to be. This isn't a problem.

9. The show is racist, sexist, homophobic, transphobic, blah, blah, blah.

I’m amazed this is even an argument. The show is supposed to be a dark comedy that takes place in HELL. You know, the place the worst of the worst end up after they die? What were you expecting? Everyone gets a shot or two fired at them, but that doesn't make them bad characters nor does it make the show itself horrible. Take, for example, Katie Killjoy, the news reporter so many people are up in arms about. She says she doesn’t “touch the gays” because she has “standards”. Well, here’s a newsflash of my own: we’re not supposed to like her! She’s an antagonist. Not to mention ten seconds later Charlie insults her and isn’t the least bit slighted by her pretentious attitude. The characters are strong and don’t take shit from anyone, because to some degree they’re all terrible people who can throw down when it’s called for.

Obviously if you don’t like the show or think it’s offensive, I’m probably not going to change your mind. That’s perfectly fine. You’re entitled to your opinions and you don’t have to watch the show. Just stop lying and stop trying to take it away from everybody else. Stop attacking Vivzie and spreading misinformation without checking the facts. I realise a lot of people probably aren’t trying to be vindictive and only want to do something good, but just remember this: the road to hell is paved with good intentions.

[frodos-bizarre-adventure]

@gingerreggg thanks for the appreciation! TnT

Heads Up- Part 14 (Joseph x Bust! Caesar)

▪▪▪▪▪▪▪▪▪

"Is that necessary?" Suzi complained, as Joseph placed a motion sensor on the table next to Caesar. "And where did you get that, even?"

Joseph grinned his characteristic smirk. "It's to keep the neighborhood kids from messing with my bike. I have to leave it outside cause I don't have a garage..."

"You sure are prepared for everything, Jojo!" she giggled.

Joseph always had the knack for expecting the unexpected, ever since they were kids. Perhaps that could partly explain why Joseph got used to having a talking art project so quickly. How he made it look so normal.

"Okay, Caesar. We're gonna have to get you to not move, not one twitch!" Joseph instructed him. "If you move even the slightest bit, this alarm goes off."

Caesar blinked, and the sensor immediately began to beep.

"Sorry bout that," Caesar apologized.

"You don't need to blink, don't you?" Joseph asked as he reset the sensor.

"It's a force of habit!" Caesar said defensively. "I know I don't even have any tear ducts but it's a reflex! Maybe Anthonio used to blink!"

"Of course he did, he was human," Suzi said.

It struck Joseph as odd that Caesar referred to Anthonio as someone else.

Did he not consider himself Anthonio? Or at least, not anymore? Suzi did, after all, say Caesar was less of a ghost, and more of a reincarnation. Maybe he'd found a new identity.

Maybe he'd found a new purpose.

The entire situation intrigued Joseph. "Say, Suzi, about those Mesoamerican lore of yours..." he asked, "How exactly do those 'spirit guardians' work?"

Suzi laughed. "You're really curious about all this, aren't you?"

Joseph shrugged. "I suppose."

"Hmm. Well, it says here in these old texts, that most spirit guardians were ancestors that returned to the mortal plane, when summoned by those in need, to act as a guardian angel of sorts."

"Heh! Guardian angel you say?" scoffed Caesar. "I'm just a goddamn head."

Suzi shot him an annoyed look and continued on. "Anyway, it's said that these new beings were usually a 'predescessor' of some way. Not necessarily by blood, per se, but by legacy-- say, a warrior could summon a spirit of a warrior before them, or a scientist that of an old philosopher..."

"...and I suppose Anthonio was a sculptor who sought to carry on his legacy in you."

"Then why don't I remember being Anthonio, then?" Caesar retorted.

"Because, Caesar," Suzi said, "the wisdom of the past is tainted with the memories, the identities of those who experience them. I can never be too sure, of course," she shrugged, "but I feel it's made that way to pass on their wisdom to a new worthy successor to their legacy-- yet from a whole new perspective unclouded by their own beliefs. So that Joseph's art would be inspired by Anthonio's, but still be Joseph's own."

Joseph laughed at the irony. "Like how I copied...er, based, Caesar's face off on the statue Anthonio made...which he'd actually based on his own face."

Destiny sometimes did strange twists to absurd results.

"Alright, let's do this one more time!" Joseph said, replacing the motion sensor.

--------

Day by day Caesar practiced standing still. Trying to look like a perfectly ordinary, non-living sculpture. Trying not to blink, or move reflexively, just staring vacantly into nothingness like the lifeless figure he originally was.

It helped that Caesar's eyes never felt dry, even without blinking, they were clay, after all. It didn't hurt, or feel very uncomfortable, but it did make him nervous.

But he fought said feelings, because he knew it was all for Joseph.

He was doing it for the person he loved the most. After all the things Joseph had done to make his life a happy one, this was the best way for Caesar to pay him back.

By serving his original purpose as Joseph's grand masterpiece.

And it was enough to motivate him to try his damned hardest.

"And that's eight hours!" Joseph exclaimed, checking his stopwatch. Caesar had managed to keep still without triggering the beeping of the motion sensor for a record period of time.

"You can relax now, Caesar. Eight hours is all we need."

Caesar blinked and sighed.

"See, you could do it!" Joseph encouraged. "Eight hours each day for two days. Enough for the gallery to hold you on exhibit, and have the judges grade you. And then, hopefully, I graduate and get to have you back."

"You promise?" Caesar asked, in almost a pleading tone.

"I'll try my hardest to get you back," Joseph told him, his mind lingering on the faint possibility that Caesar might be selected for permanent display.

Joseph used to want to make a sculpture so exquisitely defined that it would be put up there in the gallery, alongside those of the greatest artists, forever. How strange that he now wanted the opposite.

He'd made Caesar far too beautiful, and because of this he risked losing him.

"Say, about that thing you said earlier?" Suzi told Joseph. "You based him off an old sculpture by Anthonio, didn't you?"

"I mean, it wasn't a painted statue, so I doubt they'd see the similarities with Caesar all colored and all." Joseph added with his usual mischievous grin.

"Still, he does look a little plain," Suzi pondered, as she looked at the bust from different angles. "We ought to spice him up a little!"

"Oh great," Caesar complained. "More dress-ups."

Suzi pulled out a handful of ribbons, scarves and other accessories and began trying out a bunch of styles to make Caesar look more striking-- and hopefully disguise him from anyone who would suspect Joseph stole the design.

A bowler hat, necktie and a monocle. "This is stupid," Caesar grumbled.

A masquerade feather headdress and a colorful bead necklace. "Hell no," complained Caesar again.

A magenta beanie hat, heart sunglasses and a short shawl. "Are you kidding me?" Caesar cried irately.

But there was one set of gear that made an impact on Caesar, when Suzi put them on.

A headband, designed with a zigzagged line between orange and violet, with a pair of prominent white feathers on each of the temples, and a soft, pink scarf to complete the look.

Caesar opened his mouth to complain, and quickly shut it again as soon as he saw his reflection.

He...actually kind of liked this one.

"Say, that actually suits you well," Joseph said.

"I think so too," Caesar smiled, pivoting slightly on his neck base to see his reflection from another angle.

"So it's settled then?" Joseph asked. "You'll be wearing that to the exhibit?"

"Sure," Caesar agreed. "Anything that won't make you look like a ripoff."

Joseph smiled. He admired Caesar's getup: with the scarf and the headband, he looked positively divine. He looked lovelier than he'd ever had.

He knew that the judges would absolutely like him.

He just hoped they wouldn't like him enough to take him away.

-------

It wasn't long before the day of the exhibit, of Joseph's graduation, was close at hand.

Sleep came little to the troubled artist, as he lay on his bed, his eyes blankly fixed onto the ceiling. The room's only light came from a harsh, white table lamp.

It was three days, before he had to prove himself to the world.

To his mother, Professor Lisa, that he was worthy of her respect.

And to the legacy of his late grandfather, Jonathan, who had been his inspiration, as a child, to become an artist in the first place.

Joseph imagined his grandfather watching him from the stars, invisible but ever present. If only he could see him now. If only he could tell what he'd have thought of him.

His mind drifted back to Suzi's quote, about the spirit guardians being the souls of those who came before. To pass on their legacy.

He couldn't help but imagine. What if Grandpa Jonathan himself had possessed his project bust? He giggled at the thought of his beloved grandpa as a talking, bouncing clay sculpture.

But yet fate seemed to have chose Anthonio Zeppeli to be his guide.

There must have been something special about him that he needed to pass on.

Or maybe, it was just Anthonio himself being perfect for him. Strange that they had to meet in such an improbable way.

He was different now, reborn as another person entirely. Another person that Joseph adored the way he was. Body or no body.

Thinking about Caesar made Joseph's heart thump hard within his chest. Why did he feel this way? To a figure he created? Was it weird? Was it wrong?

And yet as he listened to the steady drum of his own heartbeat, he decided that no, it seemed like nothing felt more right. Caesar was his.

It was then Joseph realized that the steady thumps were getting louder. He first feared there was, perhaps, something wrong with his cardiac rhythm. But then he felt there was another source, that seemed to be coming from outside.

And as Joseph turned his head to look, right on cue, Caesar came bouncing into his room.

In the dim light, Joseph marveled at his bizarre, surreal beauty as he hopped across the floor, still clad in the headband and the scarf that he'd come to enjoy wearing.

Somehow, as ridiculous, slow and clumsy as his only mode of transportation was, Caesar looked oddly majestic.

The vigor and strength with which he pushed his neck against the floor with each hop. The gracefulness as his head turned upward at the highest point of each jump, his headband's feathers fluttering almost like tiny wings. The way his torso stump flexed as it barely cleared the floor with each little forward bounce. And of course, the sheer look of focused determination displayed on Caesar's face as he made his way toward the bed.

He was scarcely even half a man, but his spirit had the strength of many.

To even move his clay form along the distance from kitchen to bedroom took considerable effort, without the aid of arms and legs. And yet Caesar made it work. Caesar made the impossible possible. In spite of his tremendous handicap, he learned to persevere, to overcome.

And maybe Joseph realized why he admired Caesar so much.

Not just with his gorgeous, colorful clay exterior, but with the soul within, burning so bright with passion and determination, despite all odds that barred his way.

Perhaps this was why they were fated to meet.

"Jojo, you awake?" Caesar said, snapping Joseph out of his admiring stupor.

"Huh, yeah, I am now," Joseph mumbled. "What's the matter?"

Caesar looked downward, sadly. "I just feel lonely."

"And next you'll say, 'Can I sleep on your bed tonight, Jojo?' huh?" Joseph smirked.

"Can I sleep on your bed tonight, Jo--" Caesar began to say, before realizing it. "Huh? How did you know--?"

Joseph laughed warmly. "You don't even need to say it, Cae. You're always welcome with me. Anytime."

Gently, he lifted the bust up from the floor. By now, his heavy weight now felt familiar and no longer burdensome. He gently laid Caesar onto the pillow next to him, and, removing his scarf and headband and placing them onto his bedside table, lovingly laid a blanket over Caesar's stubby torso.

With his body, or lack thereof, covered by a quilt, Caesar looked less like a sculpture and more like Joseph's very own, perfectly typical roommate.

Joseph laid back down onto the bed, gently embracing what little body Caesar had, warmly and tenderly underneath the covers.

"Goodnight, Caesar," he said, resting his head against Caesar's soft, warm clay body.

"Goodnight too, Jojo," he responded, as he closed his eyes for the night.

Artist and artwork fondly embraced, within the dimly lit room without anyone else to witness. Suzi was at her home today. It was just him and Caesar, together alone, gently feeling each other's gentle warmth in a fleeting yet sincere moment, as rest soon enveloped their tired minds.

A fleeting yet sincere moment that Joseph wasn't sure he'd get to have again.

--------

(Previous Chapter)

(Next Chapter)

[datenoriko]

Wondering if I could request some reactionary Headcanons for the warlords where MC is a highly trained and skillful forensic scientist?

I’m so sorry this is waaaay overdue and writing-wise is still unsure of the style... I hope this one’s okay though~ TnT

p.s. I tried adding Kennyo & Motonari too, but brain won’t let me ><

p.s.s. Updated masterlist for my random shenanigans here!

*Every one of them thought MC would be scared of a dead body and multitudes of it on the battlefield and beyond it but...

ODA FORCES

Nobunaga

- “Huh, this fireball’s not afraid of the dead?” // “I examine them for a living.” Visibly impressed, a devilish smirk forms on his lips

- The Devil King is fascinated by you actively asking to take her to battles to study the bodies

- “Look at this! With that deep slice on his jugular vein, no wonder he’ll die pretty quickly due to all that blood loss.” // “On his what?” // “T-the blood vessel found on the neck, my lord.” // *is confused*

- Nobunaga considers this carefully and commissions the armour makers to improve their designs, and/or trade for more sturdy materials with the Portuguese (you know… aside trading for konpeito :3)

- Lets you examine more specimens to determine all possible deaths in battle, and then have it discussed at the next council. It’s a great help for them in terms of preparation & strategizing. After all, prevention and preparation is still much better!

Hideyoshi

- A worried mother hen as always, all he wanted is for you to stay away from the worst sights possible and definitely not going straight towards them! “What do I keep telling you?” // “Uh, stay away from the corpses…?”

- Just like how his lord would sneak away to have konpeito, you also tend to get around stealthily just to study “them”

- Being a highly observation person due to your work, you even know which wooden floor in Azuchi will make a creaking sound and by instinct you will avoid it

- But Mamayoshi is just as observant as you are, and he caught you one night

- “I know you were once this ‘forensic expert’ from where you came from, but you are a princess now and must behave like one!” Legend has it that the lecture continues...  

Mitsuhide

- Ah, he loves asking for your suggestions on how to get away with murder treason!

- I mean, he’s surely an expert but an additional piece of advice his little mouse wouldn’t hurt, right?

- “This place’s almost clean, I’d say.” // “’Almost’, little mouse? It scares me so that you have trained eyes for such matters. // “Is that a compliment? Anyway, I saw a strand of hair near the sliding door... and its color is much similar to yours. Care to explain?”

- Now he’s more careful than ever to leave any trace, knowing you can find him even with the smallest of clues

- The tables have turned for him after such a long time of being a sneaky fox

Masamune

- Oh boy, make sure you won’t overwork yourself by being with this man, being a battle-loving man that he is (meaning, more bodies and scenes to check out)

- At the same time, he finds it amusing that you proactively ask him to take you to his trips, campaigns and whatnots

- “It really is fun having you around, lass! Or should I say ‘partner���?” // “Damn straight, partner… now, let’s solve this case!” Cat-like grin commences for you two

- He sees you having fun hanging out at the scouts’ camp, chatting about experiences in the battlefield. your eyes would glimmer the more explicit they describe it. Creepy? Maybe a little, but at least he sees you happy about it… right?

- The One-Eyed Dragon will find this unusual, sure, but it certainly makes him want to know you more

Ieyasu

- Did he care at first? No, not really. He just wanted no involvement at first and to be left on his room alone, reading or eating extra-spicy food

- However, Yatsun gets curious when he finds you taking a peek at his medicinal work on a man he is a bit late to save :(

- “What are you doing here? You better not get in the way.” // “Oh no, poor man though… what’s the cause?” // “I am yet to find that out, if you’ll excuse me,---” // “Can I take a look?”

- He tries to pry you away from the room but being already in and touching the body leaves him no choice but to keep a close eye on you, making sure you’re not doing anything daft.

- “Huh, not bad.” Ieyasu says as you were able to identify the cause of death, deep inside he’s amazed of course. Later on he would let you join him in his post-mortem activities if the schedule allows to, but still keeping an eye on you to prevent any mishaps from happening

Mitsunari

- “Wow, MC-sama is unfazed as we all are in the battlefield! You truly are an amazing woman.” Did you see that sunny smile on his face as he says it???

- Your logical explanation as to identifying one’s death baffles the force’s cinnamon roll (because of the jargon used), otherwise it fascinates him

- Well, he’s never seen a woman who’s into dead bodies work-wise!

- Like some other warlords, he would ask you for advice when making strategies for the next battle

- When you went to his room one time to borrow a book, the first thing you said was “Am I in a crime scene?” when seeing piles of books around, untouched food and seeing a man unmoved in the middle of the room, reading and not even sensing your presence. “Ah no, just a normal room. I see.”

Ranmaru

- While in an errand, he sees you one day looking at a dead body about to be taken away. He is worried that the view might traumatize you for life… in the back of his mind he already has a plan to take you to a sweets shop and let you gorge in manjuu for the rest of the day

- “MC-sama, are you alright? You look shocked.” // “Yeah, I mean it looks to me that someone killed him when everybody says the opposite! I wanted to look into this so badly…” // “My apologies, but… what?”

- Of course it is never the answer he expected, but when you plead to help him solve it, this page is more than willing to do so

- Now both of you are going around the town looking for clues and asking who you think are involved; partners-in-crime!

- You did get to gorge on manjuu (and tea, lots of it) with Ranmaru when the case is solved!

UESUGI-TAKEDA FORCES

Kenshin

- Oh boy, make sure you won’t overwork yourself by being with this man, being a battle-loving man that he is pt.2

- “How dare you try to even speak with MC; draw your swords. Now.” // “Kenshin-sama, even if I’m used to seeing the deceased, please don’t do that. You’re scaring your own men!”

- He has little to no problem in taking her along to the battlefield, too! One more way to keep her in sight at all times

- Sometimes when you two are drinking and think he had too much you just had to stop him, to his slight annoyance. You have seen many deaths due to alcohol poisoning and definitely wouldn’t want him to be in the list… Bunshin Lord Kenshin appreciates the thought though

- Like Nobunaga, he allows you to do some research on the dead bodies, anything useful for the ongoing war

Shingen

- How can an angel such as you be associated with death and decay? He thinks

- But this daddy needs to accept the fact that you are quite comfortable around such! However once your investigation takes a scary turn expect him to nearby, comforting you with soothing words, or a hug… or eating sweet buns as many as you’d like to calm yourself down

- At first he is reluctant to let you get near the deceased, however whenever he sees your expression light up whenever he makes a cheesy comment (albeit in a rather awkward place) he thought of going along with it

- “Hm, this job of yours is unfitting in every way.” // “Oh yeah? How so?” // “You are brimming with life that I do think you are a goddess who descended upon us men.” // “Ah, here we go again…”

- You have to admit, his presence help you keep your sanity as you used to work alone for long periods of time

Yukimura

- “I thought you might be running away now once you see these.” // “As if they’ll chase me! Unless… are they still alive?” // “Weird woman…”

- This tsun does admire how brave you are after even making such joke

- Along with Sasuke, you three are pretty much effective when doing some investigation at the enemy’s base with you giving them (modern) tips of not getting caught. Unusual hiding spots? Hidden weapons? Suspicious people? All checked and cleared! 

- He has been doing that for a long while now, but hearing your strange ideas do sound plausible… especially when ninja friend is highly approving it

- If Sasuke trusts you, he surely starts to trust you (and your skills) too

Sasuke

- Once again, be paired up with Yuki and you three would make a great investigation/espionage team

- When investigating, you and memelord ninja are speaking to each other in partly jargon, partly heavily-memed language

- Possibly having watched and/or read crimes shows or movie you two are getting along so well

- “So here’s our undercover story: husband, wife and husband’s best friend---” // “Wait, do we get cool names too?!” // “Yeah, I’ll get to that part later… or I’ll do it now. Miyako, Tsune and Chozaburo; sounds cool?” // “Noice.”

- As the conversation continues, Yuki is left by himself to wonder how on earth did he get friends like you, shaking his head lightly as your talk no longer makes sense to him

Yoshimoto

- This beautiful mailman sees you one day sketching and as a man of the arts he comes over to look at what you’re drawing

- What he sees is a detailed sketch of a man, possibly a random person. The facial structure, features are all spot on! He is in full admiration mode

- “My, such a lovely piece you are making there. Has someone commissioned you to make him a portrait?” // “Actually Yoshimoto-san, I am making this to be posted around town. A wanted poster of some sorts… he’s a criminal.”

- You explained to him your job as a forensic artist, and he listens to every single word of it. Yoshimoto would find himself asking about your style of sketching as you continue drawing

- When the posters are up he is one of those people who would look at it for a long time; for him it’s not for memorizing the perp’s face, but simply to appreciate the art, fanning himself ever so gracefully

[alixanonymous]

How A Demon Commissions An Angel ~ A Daminette FanFic ~ Chapter 4: A Plan In Progress

From: DoWhatISay@email.com

To: Marinette.D.C.@email.com

Date: November 3, 2021 5:00 P.M.

Subject: I Accept Your Terms

Dear Ms. Dupain-Cheng,

I do not delude myself into thinking we will be able to magically solve each other’s problems but it does seem as though we both lack certain qualities the other does not. If you’re offering the chance for me to stay where I am, I would be a fool not to take it and I am not a fool. If I can also help fix your unfortunate situation, I will do so. 

Let me know where we go from here.

- Damian W.

From the phone of Marinette Dupain-Cheng:

The Ladyblog 

A Retraction Of An Earlier Article Nov 4 2021 

I’ve decided to take down an earlier article entitled “MDC Stole My Best Friend’s Designs!” following contact from the legal team of Jagged Stone. It was wrong of me to make accusations without proof and I will endeavor to provide evidence to back any claims I make on this blog in the future.

- Alya Cesaire, Creator of the Ladyblog

Chat Name: Aunt Penny

Aunt Penny: Are you sure you don’t want us to pursue any further action Marinette? That statement hardly seemed sincere and was not nearly sufficient considering all she’s claimed. We can help you know.

Me: It’s fine Aunt Penny. Anything else wouldn’t be worth the trouble. It’s not her fault anyway.

Aunt Penny: You know I don’t agree with that but okay, if you’re sure. Just remember the lawsuits have already been drafted.

Aunt Penny: By the way, Jagged’s suit was a real hit at the charity dinner. Not that we ever had a doubt. Have you been thinking about creating a new website?

Me: That’s great to hear. I’ll think about it, okay?

Aunt Penny: That’s good.

Chat Name: Alya

Alya: Girl, I know what you’re thinking but just because I had to post that statement doesn’t mean Lila’s lying. She just can’t release any proof because she wants to do the right thing and keep MDC’s identity a secret. She’s being the bigger person!

Me: She always is.

Alya: Don’t be like that! Please Marinette. Stop letting your jealousy cloud your judgement.

Chat Name: Uncle Jagged

Uncle Jagged: Pens told me that you dont want to sue i get it, lawsuits are totally not rock n’ roll but feeding that liar and her friends to fang is always an option!!!

Me: No, Uncle Jagged.

Uncle Jagged: fine…

Uncle Jagged: i got so much applause for your suit at the stuffy dinner btw.

Uncle Jagged: of course I told them all that my talented young niece made it.

Uncle Jagged: even had a billionaire’s son begging for a referral but dont worry i turned him down for you 

Me: What?! Why?!

Uncle Jagged: trust me, Mari, he was totally not rock n’ roll. not rock n’ roll at all! just rude

Chat Name: Adrien

Adrien: Hey Marinette, did you see the apology on the Ladyblog?

Me: You mean the retraction?

Adrien: Well, yes. 

Adrien: Look, Marinette, you’re not going to do anything else right? She took it down.

Me: She took it down because “she had no proof” not because she knows Lila lied. She’s still convinced even after Jagged’s legal team got involved although we both know the truth.

Adrien: I'm sorry.

Adrien: Even my father feels bad, he knows how much rumors like that could damage an artist’s reputation especially without proof.

Adrien: But he’s still convinced Lila’s someone I need to associate with and if you try to expose her again it’s going to be like every other time and I don’t want things to get worse for you.

Adrien: I’m sorry Mari.

Adrien: I just can’t help you while my father’s still on her side.

Google Search History: 

Gotham Charity Dinner 2021 Photos

Patricide but for uncles

What is it called when someone kills their uncle?

How to know if a friendship is toxic

From:Marinette.D.C.@email.com

To:DoWhatISay@email.com

Date:November 5, 2021  5:05 P.M.

Subject: The Plan

Hey Damian!

Sorry for the delay in responding. I don’t know if you saw but MDC had a bit of a problem to deal with yesterday. So here’s how I see it. Our plan has two parts: the commission for your brothers and then us trying to help each other out with our people problems.

For the commission: You already gave me the measurements which I’m trusting are up to standard since I’m not flying to America any time soon. Next I need to know exactly what you want me to make for each of your brothers: Grayson, Todd, and Drake, the measurements say are their names right? Then I need to know who you think wants a sweater and who wants a jacket and your ideas for the design. I’ll draw up some designs based on the information and send them to you for approval with an estimate of the cost. (Normally I’d also send a non-disclosure agreement beforehand too but considering how this all started I’m guessing you’re not going to give me your real name for the paperwork, are you?) After they’re approved I’ll need you to deposit half the sum in my account (Information attached) and I’ll use it to buy the materials.

If I can get all of this done in the next week or so, it should leave me about a month to finish the pieces before sending them out (An address will not be optional fyi). Sounds good??

For the other part of our plan: the way I could see it going is when one of us has a problem we could use the other person for sort of a different perspective. It’s like in those cartoons when the character has those two little people on their shoulders, do you know what I’m talking about? One’s good, the other’s bad and they’re both telling the person to do different things. Not that you’re bad I mean and not that I just assumed that of the two of us you’d be the bad one…  I’m not saying any of this right. I just mean it like I said before, I could learn a thing or time from someone who isn’t too concerned with pleasing everybody. (I didn’t mean that as an insult by the way. I actually find it kind of admirable.)

So, here’s an example of a situation I could use your opinion on: today I started to wonder if one of my friendships is no longer healthy anymore. I have this friend who is the only other person in our class that knows Lila’s lying. At first he convinced me that her lies weren’t hurting anybody and that as long as we both knew the truth then it didn’t matter what anybody else thought. Eventually, we both realized that that was no longer the case when she almost got me expelled, but by then she had convinced his father that I was a bad influence on him. So now he’s forced to play nice and keep her happy to please his father.

It’s hard because even though I know he knows she’s lying, he can’t tell anyone else so no one believes me when I try to tell them. Now she’s made good on her promise to turn everyone against me and so I have to deal with all her antics by myself while she stands by his side with the rest of the class. I know he’s in a bad position but it still doesn’t make me feel better when he texts me asking if I’m okay after  something happens while at the same time whenever we’re with other people, he keeps his distance so she doesn’t report him to his father.

I guess I’m just tired of trying to make him feel better all the time. However, whenever I think about ending our friendship, I feel guilty because it’s really not his fault. His father wouldn’t hesitate to pull him from school and then we couldn’t be friends anyway. I feel like a good friend would stick by his side. I don’t know. What do you think, Damian? 

I guess that’s just how I see this going then. I rant about whatever I’m having to deal with and you tell me if you agree with how I’m handling it and vice versa. You mention some type of incident with a classmate right? Do you want an outside opinion of that or has your family’s sufficed? Or is there anything else you could use some advice on? I guess we’re just making this up as we go. I mean I suppose there aren’t any rules about relationships that started with one person trying to blackmail the other, right? :P

Hope to hear from you soon! Love,

Marinette

P.S. If this is going to work, you can’t just ignore me when I call you out on being (for lack of a better word) snobbish, Mr. Postscript.

Hello, it’s me again. I just spent like an hour working on chapter nine so my headache’s making itself know again but I wanted to at least post a chapter today. Thank you to anyone who’s been reblogging, liking, or replying to these! It makes the unenjoyable task of reposting worth it! More chapters soon!

Master List

[blackswaneuroparedux]

Skill without imagination is craftsmanship and gives us many useful objects such as wickerwork picnic baskets. Imagination without skill gives us modern art.

- Tom Stoppard, Artist Descending a Staircase

Sir Anish Kapoor’s ArcelorMittal Orbit tower was completed in 2012 at a cost of £19 million ($27 million). It was intended to be a permanent lasting legacy of London's hosting of the 2012 Summer Olympic and Paralympic Games, assisting in the post-Olympics regeneration of the Stratford area. At 376 feet (114.5 metres) it became the UK’s tallest public artwork.

London Mayor Boris Johnson put into motion a design competition that was held in 2009 and it called for designs for an "Olympic tower". A 9 panel commission made of the great and the good was set up to recommend to both Johnson and the government. It received about 50 submissions. Boris Johnson had said that his early concept for the project was something more modest than Orbit, along the lines of "a kind of 21st-century Trajan's Column", but this was dropped when more daring ideas were received. Boris Johnson was believed to want something like the Eiffel Tower or the Statue of Liberty what he and the government settled on was something completely different with Turner-Prize winning artist Sir Anish Kapoor in partnership with Cecil Balmond of Arup Group, an engineering firm.

Kapoor said that one of the influences on his design was the Tower of Babel, the sense of "building the impossible" that "has something mythic about it", and that the form "straddles Eiffel and Tatlin". Balmond, working on the metaphor of an orbit, envisaged an electron cloud moving, to create a structure that appears unstable, propping itself up, "never centred, never quite vertical". Both believe that Orbit represents a new way of thinking, "a radical new piece of structure and architecture and art" that uses non-linearity – the use of "instabilities as stabilities." The spaces inside the structure, in between the twisting steel, are "cathedral like", according to Balmond, while according to Kapoor, the intention is that visitors will engage with the piece as they wind "up and up and in on oneself" on the spiral walkway.

The Independent described Orbit as "a continuously looping lattice ... made up of eight strands winding into each other and combined by rings like a jagged knot". The Guardian describes it as a "giant lattice tripod sporting a counterweight collar around its neck designed to offset the weight of its head, a two-storey dining and viewing gallery". According to the BBC, the design incorporates the five Olympic rings.

Upon its launch Johnson said "It would have boggled the minds of the Romans. It would have boggled Gustave Eiffel." Nicholas Serota, a member of the design panel, said that Orbit was a tower with an interesting twist, with "the energy you might traditionally associate with this type of structure but in a surprisingly female form.”

When Anish Kapoor’s commission for the Olympic Park in London was unveiled no one really noticed, as most viewers thought it was still under construction.

Orbit confused viewers for sometime, but when they realised that the twisted metal structure in place was indeed an artwork they were up in arms. It was soon slammed by critics and citizens alike.

Overall reception to Orbit was mixed, but mostly negative. With regard to its potential as a lasting visitor attraction, The Guardian's Mark Brown reflected on the mixed fortunes of other large symbolic London visitor attractions such as the popular, but loss-making, Thames Tunnel; the Skylon structure, dismantled on the orders of Winston Churchill; and the successful London Eye. When plans were first reported for an Olympic tower, the media pointed to a manifesto pledge of Johnson's to crack down on tall buildings, in order to preserve London's "precious" skyline.  The Times criticised the idea as a vanity project of Johnson's, with a design "matching his bravado", built to "seal his legacy", surmising it would be compared to other similar vanity projects such as the "wedding cake", the Monument to Vittorio Emanuele II built in Rome, or the Neutrality Arch, a rotating golden statue erected by Turkmenistan's President Saparmurat Niyazov, while comparing Johnson to Ozymandias. Art critic Brian Sewell said "Our country is littered with public art of absolutely no merit. We are entering a new period of fascist gigantism. These are monuments to egos and you couldn't find a more monumental ego than Boris."

The Times reported the description of it being the "Godzilla of public art". In October 2012, ArcelorMittal Orbit was nominated and made the Building Design magazine shortlist for the Carbuncle Cup - an award for the worst British building completed in the past year, which was ultimately awarded to the Cutty Sark renovation.

Jay Merrick of The Independent said that "[Orbit's] sculptural power lies in its ability to suggest an unfinished form in the process of becoming something else", describing how its artistic riskiness elevated it above the banal artworks of the public art movement that have been built elsewhere in Britain's towns and cities. Merrick was of the opinion that it would be either loved or hated, being a design which is "beautifully fractious, and not quite knowable".

Jonathan Glancey of The Guardian described Orbit as "Olympian in ambition" and a "fusion between striking art and daring engineering", and said that, the Aquatics Centre apart, it represented the architecturally striking Joker in the pack, given that the rest of the landscaping and architecture for the Games "promises little to get excited about". He believed it would become a "genuine eyecatcher" for the Olympics television coverage, with its extraordinary form being a "strange and enticing marriage of sorts" between the Eiffel Tower and the un-built early Soviet era Tatlin's Tower, with the biblical Tower of Babel as "best man".

The Times writer Tom Dyckhoff, while calling it "a gift to the tabloids" and a "giant Mr. Messy", questioned whether the Olympic site needed another pointless icon, postulating whether it would stand the test of time like the London Eye and become a true icon to match the Eiffel Tower, or a hopeless white elephant. Suggesting the project had echoes of Tatlin's Monument to the Third International, and especially Constant Nieuwenhuys' utopian city New Babylon, he asked whether Orbit was just as revolutionary or possessed the same ideological purpose, or whether it was merely "a giant advert for one of the world’s biggest multinationals, sweetened with a bit of fun".

Rowan Moore of The Guardian questioned if it was going to be anything more than a folly, or whether it would be as eloquent as the Statue of Liberty. He speculated that the project might mark the time when society stops using large iconic projects as a tool for lifting areas out of deprivation. He questioned its ability to draw people's attention to Stratford after the Games, in a similar manner to the successes of the Angel of the North or the Guggenheim Museum Bilbao. He also questioned the piece's ability to strike a chord like the Angel, which he believed had at least "created a feelgood factor and sense of pride" in Gateshead, or whether it would simply become one of the "many more unloved rotting wrecks that no one has the nerve to demolish". He postulated that the addition of stairs and a lift made Orbit less succinct than Kapoor's previous successful works, while ultimately he said "hard to see what the big idea is, beyond the idea of making something big".

Fellow Guardian writer John Graham-Cumming rejected comparisons to icons like the Eiffel Tower, which had itself not been intended to be a lasting monument, only persisting into public acceptance as art through being useful; he also pointed out the Colossus of Rhodes collapsed within a few decades, and the Tower of Babel was "constructed to glorify those that constructed it." He suggested that a future mayor should reconsider whether it should be pulled down. Questioning its corporate role, he believed that meant it looked less and less like a work of art and more like a vanity project.

Even Sir Anish Kapoor acknowledged the criticism and said of its clunky features,“It’s an object with all its elbows sticking out and it is slightly awkward, but I think I made it for that reason, I wanted it to be slightly awkward.”

After the 2012 Olympic Games, the Orbit tower was used as an observation tower, running at a loss of £520,000 ($884,000) in 2014–15, according to the BBC—or losing up to £10,000 ($17,000) a week in 2014, according to the Guardian newspaper.

Amidst the rising clamour of the costs matched only by the disdainful disinterest in the massive sculpture, something had to be done.

To appease Londoners, ex-London Mayor Boris Johnson brought in Carsten Höller to add a slide to the 376 feet tall artwork, making it the highest slide in Europe.

Kapoor later said he was pushed into the high profile collaboration by Johnson. Kapoor would later say that Johnson’s request “felt to me as if it was turning the whole thing in the wrong direction.”

“It was not always my thinking. The mayor foisted this on the project and there was a moment where I had to make a decision - do I go to battle with the mayor or is there a more elegant or astute way through this?,” he told the Guardian.

“I knew of Carsten’s work so I thought, well, who better than a fellow artist to join up with and make this a positive story rather than a negative… Luckily, and thankfully, Carsten was open to it, so we found a way round this,” Kapoor explained.

Judging by the unforgettable success of Höller’s slide installation at Tate Modern’s Turbine Hall, it’s easy to imagine what made Kapoor click and extend the invitation to the Belgian-born Stockholm-based artist.

“One makes artworks for other reasons than profit,” Kapoor told the Guardian. “I understand this is run as a so-called attraction, which I have problems with personally… I want it to be slightly more highbrow than that, without wanting to be pompous about it. There’s a difference between a fairground ride and art,” he added.

Höller, meanwhile, took a more lighthearted approach, urging people to embrace “the amusement side of it.”

“A child might be here purely for the slide, while the serious art lover might see this in purely formalistic terms. I personally like the confusion, that you don’t know what it is but it still creates a very unique experience,” he told the Guardian.

 The ArcelorMittal Orbit re-opened to the public on 5 April 2014. Since then it has done below average business in attracting people to come and visit it or try the slide.

The London Legacy Development Corporation (LLDC), which runs the park where the sculpture is located, released numbers revealing the sculpture’s sizeable debt and a steep drop in visitors. Steel magnate Lakshmi Mittal had provided a £9.2 million ($11.2 million) loan to help pay for the original construction of the sculpture, but this loan has ballooned to £13 million due to the accrual of interest.

Ticket sales to the observation platform and a tunnel slide designed by Carsten Höller were meant to help repay the loan, but low visitor attendance prompted a £58,000 ($70,000) loss in 2018/19 alone. Visitor numbers have dropped from a high of 193,000 in 2016/17, when Höller’s slide was introduced, to 155,000 in 2018/19.

It’s not just an artistic folly but a commercial one too.

It's not wholly fanciful that such artistic scuptural landmarks can help lift places. No one can put a figure on jobs created or investments made in Gateshead thanks to the Angel of the North, but it has at least created a feelgood factor and sense of pride. The Bilbao Guggenheim of 1996, still the archetype of such town-boosting, certainly placed a relatively obscure city at the centre of attention.

Buildings can't do it alone and if people find their attention has been drawn only to a wasteland, they will go away again. The Guggenheim worked because there were also dull practical things in Bilbao such as new transport infrastructure and business parks.

But the most important ingredient of a successful icon is that it works artistically. It has to strike a chord, sound the right note, catch a mood, win hearts and confound sceptics. In other words it has to be aesthetically pleasing because it’s good art made by equally by great craft and graft.

The ArcelorMittal Orbit has become an unloved rotting wreck that no one has the nerve to demolish.

[inventors-fair]

“Two Mechanics” Commentary: It All Comes Together

Well, this was a surprisingly popular contest. I know there was a fair bit of hype for it, but we got enough entries that I had to worry about shutting people out. That’s unusual to say the least, but quite pleasing to know that so many people are engaging.

I’m going to take a lesson and look at these from the lens of intention rather than explicit nit-pickiness. There will be a “nitpicks” part at the end, but that’s just for minor improvements if need be. I make small mistakes like that all the time, and if you wanna ignore that and focus on the commentary, feel free to do so. However, the nitpicks are reflections of polish. The extent to which something has nitpicks does affect judgement. 

Additionally! If you’re reading this, we’d like to know: do you read your own commentary, all the commentary, or do you skip it entirely? And if you’re skipping some or all of the commentary, what would help you engage with it? I would like to point out that reading the comments on everyone’s cards can potentially help with your own experimentation in the future and help with design choices. However, if that’s not what you’re after, we would like to know how to improve that experience.

Some cards are marked as “JUDGE PICKS,” which are cards that were close to being runners-up or winners but, for lack of space, are presented here as examples instead.

Let’s get to your wonderful blends.

@abzanhero — Herald of the Saviors (JUDGE PICK)

What I like: I really never expected to see Imprint and Fateful Hour on the same card together. I like how this is a strange, fragile tutor that can really improve the late-game if you adjust it just right, but in a build like Solemnity/Unlife Combo, this can be an insane win-con.

What we can improve: There’s not much to improve upon here. My two main issues are that 1) there’s an expectation that Fateful Hour cards have a smaller effect that’s improved by the hour (Gather the Townsfolk) although that’s not a requirement, I suppose, and 2) Imprint could have just been a search/exile clause, and there’s no real need for it to have that specific keyword. That said, there’s no reason that it couldn’t have it; it’s just minor flavor questions.

Nitpicks: “Fateful Hour” should be italicized. Mechanically, you need to point out that there needs to be “tokens that are a copy of a creature card exiled with Herald of the Saviors,” as the ETB trigger can be copied.

@aethernalstars — Collective Knowledge

What I like: Blue toolbox is a pretty fun archetype, and I do like that last option the best of all. It’s a pretty crazy mill strategy that can work really well with wheel effects. Spiral/Crypt builds could use this card for sure.

What we can improve: Without reminder text, anyone looking at this card without extensive rules knowledge would be absolutely lost. I get the vibe you were going for, but this card begs for reminder text. At uncommon, there’s no excuse for this many options without it. I understand that you might have been extremely cluttered for space with reminder text. In that case, that should have been a clue to go back to the drawing board. Flavorfully, I’m also getting major clashes between the two mechanics you’re using. Escalate is a vibrant, exciting feel of increasing public power. Cipher is a covert and subtle mechanic antithetical to Escalate’s vibrancy. I don’t understand what feel this card was going for at all.

Nitpicks: See notes about reminder text.

@askkrenko — Mocking Goblins

What I like: Goblin Diplomats comes to mind here. I can imagine that on the table in a 4-5 person commander game, this could get amazing in the late-game. Putting Overload on a permanent is actually pretty interesting, and I’m fairly certain that that actually works, right? I can’t think of a reason why it wouldn’t. Because of the multiplayer aspect I imagine that if this was drafted it would be in a Conspiracy-type set... Wow, yeah, this would be a fun limited card.

What we can improve: There’s not too much to improve here mechanically. I will say that the name and flavor text aren’t grabbing me at all. It’s been done before in similar ways, and heck, that’s fine for tropes. Just could have used some more spice.

Nitpicks: Definitely needed reminder text here, once again, as most non-evergreen mechanics do.

@bluebread-mage — Vorel, Rejected Strategist

What I like: I actually didn’t know Vorel’s full story, so I appreciate you adding that in there. It gives an interesting explanation of the mechanics you chose to use, and this is a slightly different version of +1/+1 counter interaction that I’ve seen around for contests like this, so kudos for that.

What we can improve: I won’t go ahead and say that this card straight up doesn’t work, but the hoops you have to jump through to make it actually do anything are difficult to say the least. So, you have Riot, and he gets a counter, and all your creatures gain evolve. Do you play a creature after that? Probably not if this is turn three. But then next turn... How do you get a counter on Vorel now? And if you do, without the means of a specific continuous counter generation like Forced Adaptation, you’d need to cast a spell to give him a counter, which means that you’re probably spending mana, which means you have less mana for a big creature, which means that the creature you DO cast probably won’t trigger evolve, and — do you see where I’m going with this? He’s asking for too many resources to make the effect worthwhile. I love the flavor idea. I love what you tried to do. It’s just not practical in gameplay terms.

Nitpicks: Your “evolve” reminder text should have been reworded to show what it would do for every creature; as it is, it would only do Vorel, which isn’t what your rules text says.

@col-seaker-of-the-memiest-legion — Diabolic Seer

What I like: So, I was reading the text, and then I got to the last line, and I was really pleasantly surprised that you brought the exploit back around to add the flash clause. Pretty great name, too, if a little meta; if the cards you were riffing off didn’t exist already, it would be radical.

What we can improve: In short, this card is balanced, assuming that:

You’re not playing any sacrifice strategies in the two colors with the most sacrifice strategies.

You don’t have any other creatures to search up a recursive win condition.

In constructed, you’re not playing fetchlands.

You’re not searching up further answers after already searching up recursion.

...and that’s my main issue with this card. Repeatable tutoring is absolutely bonkers good in literally any format whatsoever. Four-mana repeatable tutoring is, to say the least, broken. And you’re potentionally giving it flash? That is, IMO, a break. Small personal notes: I don’t know why this card doesn’t have a subtype; and the flavor text is vague. I don’t understand the character’s goals, role, or place in the world.

Nitpicks: “...put it into your hand, then shuffle your library. Until your next turn, if a creature was exploited this turn, you may cast that card as though it had flash.” Additionally, I understand the artist is Nataša Ilinčić, but I had to go on a Google expedition for that. Anglicizing to “Natasa Ilincic” may have been a better choice.

For those interested, the artist is actually fantastic. Check ‘em out HERE.

@corporalotherbear — Underworld Escapist

What I like: “Spirit Rogue” is an interesting combo that I like. Gives some neat little feeling of why it’s an escapist, or at least it’s a complimentary type. I also enjoy the idea of the escape being an adventure flavorfully.

What we can improve: ...does this card work? SHOULD it work? So it goes on an adventure, you cast it normally, it dies, you cast it from your graveyard on an adventure, rinse and repeat. Okay, that’s probably what you were going for. In that case, my goodness, this needs to be rare. Nigh-infinite recursion that can make bodies is probably too powerful. Personally as well, I understand the Amass and the flavor text, but what does a rogue making an army have anything to do with escaping? And why would it be an escape if you can cast it from your hand first? I’m really iffy on the eventual flavor of it all.

Nitpicks: None, as I understand the comprehensive rules would need to either be rewritten or re-explored for the second side to work. Hm, but wouldn’t it be cool if it was “You may send ~ on an adventure from your graveyard.” But, again, that’s more of a hypothetical question than even a nitpick.

@dabudder — Davriel, Pact Breaker

What I like: Bringing back characters for further exploration is always fun. We got a couple cool folks from WAR, certainly, and it’s always a pleasant surprise.

What we can improve: I just straight up don’t like the gimmick at all. Planeswalkers shouldn’t even have gimmicks, IMO. The first ability is fine, I would respect that if the rest of the card was completely changed. Fateseal is an unfun mechanic that, on this card, you can activate easily. I don’t have much to say about this card because of how it’s based in unfun gimmicks. I read through the wiki to get an idea of what Davriel’s like, and while I do appreciate how you tried to capture a lot of complexity in a single card, this isn’t it. I feel you’re trying to tell a massive story in a way that it doesn’t need to be told.

Nitpicks: Make sure you change your rarity, which I will assume was a mistake.

@deafeningsandwichpeach — Tempting Angel

What I like: Well, this card is weird. And I need to clarify, this is in the “What I like” section because I do like weird. It’s not broken, which is fine. Wow, though, the... Exile then Show and Tell and all? On a 9/9 flier? This card would destroy some games, and I could see it being a cube all-star and a crazy commander blink monstrosity. Once this hits the board, it needs to be removed IMMEDIATELY. Oh, and then... Containment Priest nonsense. Man, this could be a wacky card.

What we can improve: I will say, that a 9/9 body may be way too big. A six-mana 6/6 may have been more appropriate, and more balanced. In the late-game, if your opponent doesn’t have great draws, they’d probably be out of a card to put onto the battlefield. I have the feeling this couldn’t be a draftable card for that reason alone... Eh, maybe I’m just paranoid.

Nitpicks: Flying and Convoke need to be separated by a comma, not a semicolon. I think the same can be said for “permanent” and “then” in the second line.

@dimestoretajic — Gruul Rampager

What I like: That flavor text is friggin’ phenomenal, man. It’s a Gruul feel, it’s an orc feel, it’s a berserker feel. You captured an uncommon feel as well, too. I like how it’s a little more red than green, even though the two are definitely in good alignment with each other.

What we can improve: +1/+1 counters and -1/-1 counters should not go on the same card. Full stop. I know it’s mechanically cute, and I’ll be honest, I like how they work on this card. But it’s one of those Magic rules to avoid confusion and to stop weird triggers. The game can handle it, but it’s not fun to figure out. There’s acceptable weirdness and then there’s just inherent guidelines.

Nitpicks: Why does this card have a color indicator? Also, you misspelled “Berserker” in the typeline.

@evscfa1 — Burning Trails (JUDGE PICK)

What I like: This is a very difficult card to judge. Searching up two lands is powerful, but there are more efficient ways to do it eternally, so this card itself isn’t broken. Jund Lands and Gruul Ramp love it absolutely. I’m thinking of this in commander because, well, there’s no other reason for a rare ramp spell like this. I’d hate to open this in draft...or would I? Slightly different/better/multicolored Cultivate isn’t the worst thing in the world, possibly. This card is making me think. The versatility is pretty interesting as well, and I can see where land-matters cards would like it.

What we can improve: I’m really torn on whether or not this card needs both kinds of recursion, because as interesting as it is, my gut really isn’t understanding why they both NEED to be there. Is there an interaction I’m not seeing? I don’t think so, I think it’s just different recursion, and yeah, there’s lands-in-hand-for-retrace, plus the sacrifice to filter, but that’s just efficiency, not necessarily synergy. Honestly, this could also be an uncommon for that cost, I think. It would be a powerful-as-all-getout uncommon, but it just doesn’t feel rare to me in terms of crazy power level.

Nitpicks: None.

@forteleijon — Cordeceyp Crawler

What I like: Well, besides your lovely photograph, I think that the mechanics you chose work well flavorfully. A mutating fungus that can crawl out of the grave is pretty cool!

What we can improve: Firstly, if you can, I would highly recommend downloading Magic Set Editor for complex cards like this. Secondly, did you forget the escape cost about exiling cards from your graveyard? Otherwise, you can just cast this from your graveyard every turn without restrictions like Gravecrawler. I mean, this card isn’t Hogaak, but still. That probably wasn’t your intention, but once again, we come to reminder text. Rare cards sometimes eschew reminder text in complex sets, but mechanics like Mutate demand reminder text through and through. 

Nitpicks: Since “escape” is a verb on almost every creature card that uses it, the last ability can say “You may have Cordeceyp Crawler escape mutated onto target creature you control” as opposed to a trigger. Additionally, is that a misspelling of “Cordeceyp?”

@fractured-infinity — Emmara, Voice of the Conclave

What I like: I’m sort of content with the fact that Emmara is everyone’s Selesnya favorite. In terms of this card, I think that you chose two good mechanics to represent her and her guild. PT checks out, mana cost checks out, wording all checks out.

What we can improve: ...but she doesn’t do anything by herself, and that feels a little frustrating to me as a rare card. There’s nothing inherently or objectively wrong with this design, and there are plenty of proliferate cards that just proliferate by themselves. I would much rather have had a rare card that did at least something to make those abilities better. What if she made a token upon entering or placed a counter or something? I dunno, I’m just iffy on her power on the board.

Nitpicks: The word “Populate” you put in the reminder text should be lowercase.

@gollumni — Danz, Ascenscion Assistant

What I like: “Demon Noble” is a great typeline. I can see how this would make politics very, very complicated. Do you want to build around having no cards in hand and perhaps using the graveyard as a resource? You can discourage people from attacking and make political blocks as well. This is a very political card!

What we can improve: I can’t think of any specific improvements to this card. I think that it’s one of those cards where you yourself don’t want to be the monarch, and that’s a complex idea that I don’t know will always work out well in a draft environment like this may be intender to supplement. After all, 99% of limited games are won through combat damage. Such is fate. I think for this particular contest, I’m a little saddened that Partner doesn’t really...do anything. This contest was supposed to be about two mechanics interacting, y’know? And Partner is a mechanic that doesn’t really interact with any other on-card mechanic in the same way that our winners did.

Nitpicks: “Ascension” is misspelled in the name.

@greensunzenith — Eversworn Tombguard

What I like: Hell yeah, this card is cool. A knight sent to protect a grave or graveyard? Well, it’s not mechanically tied to your graveyard, but maybe it’s a burial site! I see that Orzhov symbol in the background. Interesting, how they might be using new techniques to protect themselves on a new Ravnica. This is an amazing draft card with possible constructed potential. I’m a big fan.

What we can improve: Besides the eternalization being a Bolas mechanic, I feel that, unfortunately, this is one of those cards where the Afterlife mechanic would be better being a different one, or no mechanic at all. Of course, that’s not your fault, and this contest asked for it. If you’re saving this card for a cube or a custom set, I would replace Afterlife with just a death trigger. Maybe it would read better, if you want to keep Afterlife, as “Eversworn Tombguard has afterlife X, where X is its power.”

Nitpicks: None.

@haru-n-harkel — Wistar, Lab Rat

What I like: I was absolutely not expecting a multicolored adventure or even an off-colored adventure. This poor ratty is going off and learning about everything, and then they come back and distribute their knowledge. So strange! Adventures are interesting cards for sure. I’ll have to find the download for that, because I just scoured my MSE and I can’t seem to find it. And you know what, I was going to gripe about keyword counters technically not being a “””new mechanic””” but whatever, that’s a personal interpretation that doesn’t change the fact that this is a fine card.

What we can improve: Is this supposed to be on Eldraine? I don’t really understand why this card is black at all. What lab are they supposed to be in? I see “lab” and I think “Innistrad” but that’s bias... What does research have to do with returning a creature? Are scientists clerics? ARE they a scientist? The gist of what I’m getting at is that this card has a couple cool mechanical ideas but I have no idea what it’s really supposed to represent. I don’t get a sense of place or strong meaning from this card.

Nitpicks: It’s hard to tell the difference between abilities in the main body; another indentation might fix that, or it may just be too much text. And also... This is the pettiest, most useless nitpick I’ve ever given, but your set symbol in this specific frame is really hard to distinguish. I would futz around with it for a bit.

@hiygamer — Woven Repetition

What I like: I can see how you got clever with this one. The splice and the rebound make for some interesting combinations. The cost is probably appropriate, if a bit high. You’d want to make some really carefully calculated decisions, unless you’re just pitching lands, to give that big spell rebound.

What we can improve: Rebound absolutely needs reminder text. Someone opens this in a booster pack and it’s going to be a head-scratcher for sure. I’m glad that it works (Thanks, Cast Through Time!) because I almost thought that it didn’t, but man, a lot of players will be confused with this at common. That’s the major issue; was that a misclick or something? This is most definitely an uncommon or rare card for complexity alone. Personally, I think that it would be best to also only exile one card, and you know what, this really could be mono-blue. What’s the white in it?

Nitpicks: None.

@i-am-the-one-who-wololoes — Steam Blast

What I like: Yup, that is indeed someone getting blasted by steam. It’s a solid bounce card that feels both Izzet-y and could see play on any other world. It’s a powerful spell in the UR archetype that could see plenty of nice draft play. The consensus is that the replicate will indeed see the entwined-ness. Hm, will it see more than one mode? Complex ideas at play here!

What we can improve: I know you have a style to maintain, but modal spells are significantly improved by the bullet points, and this card is hard to parse. As a rare, while complex, it’s a lot of colors to invest in a removal spell. Fine for an archetype, but I suppose that’s the nature of replicate. I don’t know, this card just doesn’t grab me. Maybe it’s the name, maybe it’s the nature of rare removal. There’s nothing inherently ‘wrong’ with it, though.

Nitpicks: None.

@ignorantturtlegaming — Heartwarming Reunion

What I like: This is indeed a feel. You chose a good image and flavorful bond for this card. With a few tweaks, this could actually be a really powerful GW archetype card with some great draft implications and enchantment synergies.

What we can improve: There are a few things to work on with this card.

The name “Heartwarming Reunion” implies a moment that would best be represented on an instant/sorcery card. I’m thrown off by its continuous nature.

Soulbond doesn’t affect how a creature is cast. “Nontoken creatures you control have soulbond” and it would affect them like Rhythm of the Wild. 

What does bolstering have to do with being a reunion? A relationship I can see but there’s a massive flavor disconnect. Also, it should be “paired creatures” and not “creature pairs.”

I understand what the flavor text is trying to do, but it bunches up the text above it and also doesn’t say anything that the name hasn’t told us already.

In short, there a few great ideas but they’re stuck between a couple of stumbling blocks.

Nitpicks: The last ability should be shortened to “Paired creatures you control have lifelink and vigilance.”

@joecurryat — Forsaken Devotee

What I like: I remember seeing that art a little while back, the Eldrazified Vampire. I loved Innistrad’s art direction. Anywho, though. I think that indeed Monstrosity is a fine enough mechanic for the Eldrazi. 

What we can improve: See above comments about reminder text. The first thing that comes to mind is the fact that it’s a human cleric. Even excusing the vampiric origins of the art, why is it becoming monstrous? It feels like there’s a disconnect between what the card wants to be and what it is. Annihilator was certainly...a choice. If you play this on turn 5-6 and monstrosify it on turn 7, you get a 9/9 lifelink with annihilator. The desire for powerful cards is strong, but annihilator isn’t fun, was never fun, and needs a major overhaul to be fun again. This card just isn’t it. Additionally, and this is more polish, but what on earth is that flavor text trying to say? Who’s saying that? Who is them? If it’s that hard to parse, it’s even harder for it to add meaning to the card.

Nitpicks: “has,” not “gains.”

@kavinika — Undercity Thug

What I like: The Ravnican (I’m assuming) undercity is a fantastic place for all sorts of mercenaries. The name’s not going to win any awards, but it gets the job done in a cool and flavorful way. That’s a very strong exploit ability, and would almost be first-pickable in a lot of drafts. The extra potential removal makes this formidable.

What we can improve: See notes about reminder text. When looking at this contest, we were hoping that there would be instances where the two mechanics compliment each other. This is the second revolt/exploit combo of this contest, and I’m a little frustrated that they don’t have any meaningful interaction. Sure, they both involve potential permanents leaving the battlefield in different roundabout ways, but it’s not attacking on the same turn that it’s exploiting a creature. The distance just isn’t working.

I usually don’t comment on this, because I respect the fact that we’re not professional writers, but that flavor text needs serious revision. An active antagonistic oppressor is fine in a game about conflict. The language is... Well, it needs revision.

Nitpicks: None.

@koth-of-the-hammerpants — Ceaseless Soul-chief. (JUDGE PICK)

What I like: “Orc Spirit Warrior.” Hell. Yes. It’s a big smasher, a big finisher, an anthem, a warlord, and they’re so full of souls and anger that they’ll return even stronger than before. I want to draft this card, I want to build casually with this card, and I want to see a world in which this card can come back strong again and again. 

What we can improve: I can’t think of any significant improvements. I will say that it might have been better, unfortunately, if this card was not a spirit. I can make my personal justifications however I want and I may love it, but ghosts probably shouldn’t have other ghosts in them.

Nitpicks: “Chief” definitely needs to be capitalized.

@machine-elf-paladin — Legacy Forger (JUDGE PICK)

What I like: The name actually captured me. it’s a great warrior name for sure. Mentor and Renown are two +1/+1 counter mechanics that don’t necessarily have amazing synergy, but you made them work here. This is a powerful combat tool, great use of mentor in green, and makes combat complicated for your opponents. Really awesome use of just using keywords to get your point across! Simple and effective.

What we can improve: The flavor text could use some clarification. Reads a bit clunky.

Nitpicks: Are you using MSE M15 Mainframe? If not, I would recommend it so you can get the flavor bar in and space out the words more.

@misterstingyjack — Promenade Parade (JUDGE PICK)

What I like: You can be aggro in a pinch, or you can wait and go a little wider, and even pick up a better token in a pinch! This is a pretty cool card that makes fantastic use of Ascend to bring across a flavorful card. “If you have the city’s blessing, the city grows with citizens.” Like — that’s so awesome?? I loved how you made a really surprisingly happy card in the aftermath of an otherwise dark event. And heck, it’s not a bad card either.

What we can improve: The only real “issue” that’s not even an issue is the flavor text and the name/flavor combo. The flavor text itself is in “gets the job done” territory, which you know what, that’s fine, they don’t all have to be Hemmingway. But I would also assume a Parade would be, like, a bigger event, and you could get a lot of people there. Right? Am I going crazy? This is a serious reach, so don’t take this as a design critique per se. All polish and pedantry. You did good.

Nitpicks: None.

@morbidlyqueerious — Swarming Platoons

What I like: I had to read this a fair bit to really get what was going on here. This is actually really complex, and I like the implications of what’s going on! You can get a 4/4, a 2/2 and two 1/1s, or two 2/2s. Like, that’s a lot of options in two words and two numbers! I think that I actually like the mechanics of this card a lot more than I had upon originally considering it. That text would make for a really great sort of Modern Horizons-y card.

What we can improve: I’m really lost as to how you decided to place this card in the universe. Servos are artificially created inventions, sure, so...are they natural now? Is that how Kaladesh is evolving, per your flavor text? Why is it offering answers? I don’t really see the question. You’ve made it a construct, and yet calling it nature. And the name “Platoon” is a soldier-y thing, and doesn’t convey an insectile invention feel. In short, fantastic mechanics, flavor is all over the place and confusing.

Nitpicks: “Platoon” also doesn’t need to be pluralized. 

@naban-dean-of-irritation — Starforged Legion

What I like: That’s a badass name, so that’s a great start. I’m amazed that that second ability is only a single sentence that I actually can’t find any flaws with, so that’s impressive to say the least. I assume this is sort of Theros-based? “Starforged” seems to imply that, but you know what, even though I can’t place it, this card makes me want to learn more about the world. That’s a point in its favor.

What we can improve: I don’t think there’s much to improve aside from the fact that it’s narrow. Incredibly narrow. Unfathomably narrow. Seriously, getting this card to work at all is an absolute mess of mana. Many players would love it, and I mean, fifteen mana for thirty power across six creatures would be pretty cool! But god, the effort that would have to go into making this really work and live the dream... Maybe it’s okay, you know? It’ll never see any play outside of someone’s five-color kitchen sink mess-around-and-find-out deck, but... Shoot, y’know, maybe that’s how it’s supposed to be. Can’t call it a winner, but it’s a winner in my heart.

Nitpicks: None.

@nine-effing-hells — Arcanist of Ulamog.

What I like: I will definitely admit that I did not expect devoid to show up again. I also did not expect a processor wizard. You know, this card has some interesting multiplayer aspects. Your opponents also have flashback, but that flashback can be used for your own cards to copy, and... Heh. This is a cute idea with some technical interaction that I like a lot.

What we can improve: This card is also basically unplayable without dampers. Giving all cards flashback? Unless you have Leyline of the Void, Drannith Magistrate, etc, but in limited, that’s going to backfire like nobody’s business. And if your OPPONENT has either one of those cards, good lord... Yeah, this feels like a crazy bas time for you the controller. Sure you get a 4/4 for four out of it, but I don’t think that’s enough to combat the amount of crazy flashback you’ll be getting to oppose your plans. Could be fun in multiplayer though.

Nitpicks: That wording on the second ability seems correct. Someone smarter than me might find something wrong with it. Worth checking a rules guru.

@partlycloudy-partlyfuckoff — Pharika’s Forgotten

What I like: Using dredge was a bold, bold choice. Despite it being a broken mechanic, the fact is that in a vacuum this card could work really well. I think in limited there could be some fun graveyard shenanigans for eventually getting this card back or for using other resources from your graveyard. Honestly, this card is not top-tier, and it has to be that way, because otherwise whoo boy that would be a mess. No, it’s middle-of-the-road, pretty natural, pretty great, pretty synergistic, and not the worst it could have been for using a still-broken mechanic.

What we can improve: I don’t think there’s much that needs to be improved, even though this didn’t really grab me by the throat and make me build around it. I’ve never been one for reckless self-mill but I love mill as a strategy. Who am I kidding, this card’s probably fine. Would make for an INSANE cube uncommon.

Nitpicks: 1). “...mill three CARDS.” 2) Missing two closed parentheses. 3) Needs an emdash after Escape and no space between the dash and the mana cost. 4) “Exile” should be capitalized. And the fifth you already knew about, so don’t worry too much.

@rasputin-gold — Resonant Call

What I like: This card caused a lot of potential discussion in the chat. The ruling is something completely unusual and would have to have a lot of crazy stuff following it in the comprehensive rules. In general, the consensus was that it worked, and it would have a lot of statistics around it that people would talk about. Interesting cost, interesting wording, and the name is actually kind of weirdly nice.

What we can improve: And this card is unfathomably broken. If you have four copies of a card you haven’t drawn, and you’re going first, and you put a single counter on Resonant Call to name something, assuming 51 cards left in your library, what is the probability that you hit the named card? ... I don’t know my math that well, but in limited, if you have a single card you haven’t drawn that you’d like to cast for free, you have a little over a 60% chance of hitting that card. For a common, this is insane and build-around-able for cheating out literally anything you want faster than most any other card. And that’s pretty busted. I don’t think this concept is salvageable. It’s just too risky. Also, see notes on reminder text. 

Nitpicks: Not a critique, but is that a flea in the art?

@real-aspen-hours — Seedsower Oke

What I like: This card is pretty delightful. They’re a druid, a tree, and they make little tree babies. What’s not to love? Convoke is a fantastic mechanic, EVOKE is a fantastic mechanic, and this card could be used for a variety of getting things on and off the battlefield. It’s a card I’d love to see in limited and I think for a very casual commander audience it could work well too. I don’t think that conceptually there’s much to improve upon with this card. It’s got a great feel and I like who they are.

What we can improve: I feel that you could really have made this a 4/4 or even a 4/5. It deserves better stats for a big tree boy! That’s all, just one degree more of pushing to really make him good.

Nitpicks: Evoke should always be the last ability on a card.

@reaperfromtheabyss — Zataz, Renegade Researcher

What I like: I’m going to assume that there are some three-color counter cards in this archetype that you’re envisioning? Or at least, three-color draft support. It’s pretty reminiscent of Master Biomancer, actually. That’s not a bad thing, because that card was great, and as a three-color legend that makes artifact dudes this card is pretty great too. I would have to see a lot of support to make him work in a draft, but 100% he would be an awesome counter-based commander.

What we can improve: There aren’t any major gripes with this card. He does feel...busy. Maybe it’s the frame, maybe it’s the nameline. But I’m seriously questioning “Vedalken Elf” Those are two majorly separate species that aren’t connected in any significant way, and maybe you’re going for a Simic kind of blend but honestly, it’s far more confusing than innovative.  

Nitpicks: Perhaps you could have just said “Zataz’s power” instead of the full name. Wouldn’t have made a huge difference, but.

@shakeszx — Recurring All

What I like: Two-mana 3/3s are a big risk. Aggressive greenery is pretty standard for the archetype and often shows up in competitive aggro builds, so I appreciate you channeling this. Cute name, too! 

What we can improve: I’ve already talked about +1/+1 and -1/-1 counters, and again, it’s cute how you’re making them work here, with the evolve and all, but they just don’t belong. Maybe it’s just me but I also don’t understand the flavor text at all. Do the Golgari have an ooze issue? I thought they liked oozes. Slime Molding says otherwise. Boros would have made sense, perhaps Azorius. Not Golgari.

Nitpicks: Use shift+enter to separate quotes and attribution in your flavor text on MSE.

@snugz — Roar of Revival

What I like: Confession: I never played Battlebond and don’t like team Magic at all. So, forget all that, let’s talk about it from the perspective of someone who DOES like that sort of stuff! This card is invaluable. A big win, pulling life out of your butt and going crazy. Big life gain isn’t my favorite thing either, but you managed to make it new and improved and flavorful and interesting and gave it camaraderie. 

What we can improve: I don’t really have any major improvements for this one. It’s everything that a lifegain spell can be. I think my only caution is that, well, this only really works in 2HG. You gotta target two players, and in commander, that other big multiplayer format, this card is useless. Actually, in basically any other format this card is useless. Unless you want to play Tainted Remedy combo. ... Hmmm...

Nitpicks: This card might read better as “Each of up to two target players gain X life.” Or, if you wanna keep 2HG stuff, “Two target players each gain X life.” Also, have you considered reinstalling to the newest MSE? You don’t have to, you just seem like someone who could really push that stuff to its full potential.

@somethingtothatextent — Expansive Growth.

What I like: It’s an interesting use of cost mechanics. Overload necessarily costs more, but Convoke helps it cost less. I like that balance! The method of making rare cards feel rare and making their effects seem awesome isn’t always easy to do. I think that you dipped into some nice territory here.

What we can improve: Firstly, the name doesn’t feel as expressively creative as it could be. Without even a little context, the complex/unique mechanics lose a bit of touch. Mechanics are more important though, and I think that the way you were forced to make this mechanic happen resulted in the wording being really clunky.

Now, I do have a potential solution: Imagine a card with: “Put a +1/+1 counter on target creature you control, then you may double the number of +1/+1 counters on target creature you control.” So the spell now can give a counter and potentially double another creature, OR you can go ham with it like your costs want to. Does that make sense? I want to play with this card for sure. It’s good! It’s straight up a good card! Just needs world placement and some wording adjustment.

Nitpicks: None.

@sorustyitshines — Phagus, Eater of Worlds

What I like: Mythic dragons are always a smash and a hit. The devouring of historical permanents combines with the flavor text in such a way that actually makes the flavor text kind of moot. Like, it’s eating history! That’s pretty great! Hardcasting this card will always make for some groans, but the reduction gives it an appropriately mythic status. I think that it’s really powerful as hell, but it’s not unbalanced, I don’t think.

What we can improve: Really, the only major improvement is the name and the mechanical link. “Eater of Worlds” has been done in a lot of IPs. It’s cute, but. Mechanically, I feel disconnected between the cost reduction and the devour. Both of them have an interesting flavor link, I’ll give you that. They just don’t have anything to do with each other, and you’re building effectively two different decks. The things you might sacrifice to Phagus aren’t going to help you cast it again, right?

Nitpicks: “Haste” should be lowercase. The ellipses in your flavor text should be a comma and the period after “all” could possibly be a colon. Or, tbh, this card would be fine without it. That’s a lot of text. Also, I’m curious as to why you need “historic permanents” (which should be “historic permanent CARDS”) instead of just regular historic cards. The card’s already hinted at the fact that it can eat concepts.

@starch255 — Frantic Recruiter

What I like: Replicate now can indeed work with casting permanent spells, so kudos for that. I just had to look up casting and copying and the comprehensive rules for how replicate and rebound work, and as far as I can tell, yeah, this works exactly how it should! I feel the kinda Boros vibe throughout this, and casting from exile with a bunch of tokens, well, yeah, that can be pretty gnarly. A bunch of 1/1s are interesting. What you’ve done is effectively made a RW Reclaim the Wastes that can be doubled. And... You know, I wanna build with it, so that’s cool. Rally the Peasants forreal.

What we can improve: See notes about reminder text. This card is super confusing without it. If you had printed the reminder text I’m pretty sure I wouldn’t have needed to look up all that other stuff, harrumph. (I probably would have anyway.) In all seriousness, all my notes about reminder text are here to express that complex ideas need space and you can’t ignore that it’s a necessity especially for ideas like this.

Nitpicks: *GAIN haste UNTIL END OF turn, not “have haste this turn.”

@thedirtside — Lunch Break

What I like: This was one of the most popular and loved cards in the mod channel, so take some kudos there. We loved it. “I’m gonna exert myself and get some food. Y’all can wait for me.” It’s pretty obviously silly, and that’s honestly great. I’ll be honest, silly cards like that outside silver-border rarely win contests, but they’re good for a laugh as long as they’re good.

What we can improve: The first iterations that you submitted, however, were a lot better in my opinion. There’s no reason for this card to be an instant, right? If you’re doing this during a declare attackers phase, that’s not going to change much from if you were to do it during your precombat main phase. Also, the wording really got messed up. I feel that you could have spent more time on flavor text as well. The card’s feeling is great up until then.

Nitpicks: So, a revised card would be a sorcert that reads. “Whenever a creature you control attacks this turn, you may exert it. If you do, it gets +1/+1 until end of turn and you create a Food token. (An exerted creature won’t untap during its controller’s next untap step.)”

@walker-of-the-yellow-path — Spellchaser Hound

What I like: Doggies! Yeah, I don’t even need to see the good boy to know I love him. Mutate feels fresh and funky, the counters are reminiscent of Ikoria without necessarily being set there, and there’s some potential for flavor in the dog fetching more prowess counters as things get crazy.

What we can improve: I really do appreciate the prowess counter reminder text. It might not say what prowess counters do, but that’s another issue. And the fact that you need that shows what we already kind of knew about prowess triggers: they’re complex as hell. Ability counters are...frankly, they’re awful for memory issues as is if you don’t have some kind of ability to remember them and they get equally weird with older cards that check and give permanent abilities... The point is, ability counters are weird as is, and prowess counters are pretty egregious. I don’t think this card is a mistake, but I think it’s really, REALLY complex in the world of Magic, and I would watch out. For what, exactly? ... Don’t worry about it. 

Nitpicks: If you don’t have a certain frame, you can ask the chat or ask for a mod who can do their best to make a render of cards like miracle/mutate/etc. The MSE Discord also has a tech support section.

@wolkemesser — Orca, Doom of Argenti

What I like: You managed to make me look up ancient Dominaria lore and yes indeed, Orca and Argenti are Magic people and words that make sense of it all. Gotta love that deep stuff! 

What we can improve: See above notes on reminder text. See above notes on +1/+1 and -1/-1 counters. But on this card, it’s especially egregious; she enters with haste, perhaps, she dies, then she returns with persist and a +1/+1 counter and starts all over again, and is basically unkillable because the counters will cancel each other out. Additionally, from what I could find, I don’t understand why she’s an Elemental when the story and her Oracle text mark her as a Demon. With flavor, I also don’t really understand the flavor text at all. She’s based on the real Orca, right? Any in-world flavor text would probably have been more appropriate.

Nitpicks: None beside the aforementioned ones.

I’m going to go hug my dog. Please keep questions and comments about commentary in mind, and if you’re reading this, be loved and be safe. Tomorrow enters a new dawn, a new time... Hm, time.....

—@abelzumi

[writers-hes]

how do you want to spend new years eve?

hello, guys! thank you so much for your support on christmas record! i’ve been getting some requests to continue it and late christmas and i will get to it, after the plans that im currently thinking of! meanwhile, here is a new years-themed fic! if

if you haven’t read the fics mentioned above, you can read them here.  if you want to be a part of my taglist, you can do so by reblogging or liking this post. 

don’t forget, requests are open! ❤️

warnings: SMUT !!!!! swearing, alcohol + unedited

(it’s my first time writing smut so please leave me some feedback! i love you guys and thank you guys so much for 140+ followers, i love u all!)

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“I can’t do this anymore,”

Words that Harry told you when last year’s New Year’s Eve. Harry didn’t know why he was saying those words, perhaps it was because he wanted to take the young model to bed instead of you. Harry watched you crumble that night, asking what happened, asking if it was your fault. It wasn’t any. In fact, things were going great--so great between the two of you. Perhaps the reason why Harry broke up with you was because for him, distance was the antidote to the love he was feeling. Perhaps he was scared because all of his past relationships never seemed to work out, a sick part of him wanted you not to work out. Heartbreak brings a new writing material, anyway. He felt it at first, how in love he was suddenly being when you combed the stores in London to find his favourite bath gel. It was the little things that you noticed and the little things that Harry’s beating himself up for now.

The year was so great for Harry, releasing his new album and all that. He just had two successful live shows in Los Angeles and in London. People celebrated him wherever he went and he had this rockstar status that you once used to love but he’d just rather be at home with you. He’d rather spend the night with you instead of getting wasted during the afterparties, trying his best to forget the greatest mistake he’s ever done. It was annoyingly painful, how he saw your face in crowds, he knows you weren’t there but he was hoping. One time, strolling in his hometown, Holmes Chapel, he thought he saw you. He ran after you, grasping the arms of the girl in front of him. It wasn’t you--she just looked like you. Seven billion faces in the world and yours was the only face he memorised perfectly. He memorised how you scrunch your nose, how you’d raise your eyebrows, the curve of your lips, the shape of your tongue, and the softness of your eyes.

It wasn’t purposefully, how he never saw if you were off having the best life you could. He was just bored and decided to go on Instagram. He was scrolling through the photos of his friends, even liking some of them when he stumbled upon a picture of you, wearing a shirt he gave you, whilst looking another man in adoration. He bit his lip, making himself believe that that was not his shirt and even if it was, you weren’t looking at another boy--you were looking at him. He lightly tapped on the photo, seeing as you tagged the prick that was in it. He chuckled, it was Leon Harris, a friend of yours that he always found annoying. How come he never recognised him? He saw how this Leon guy was looking at you while you were both dating. He frowned. How long have you been with this Harris prick? It was jealousy bubbling in the pit of his stomach but at the same time, it was the need to see more of you. He wanted to see how Leon Harris viewed you. Does he see you the way Harry does? Does he kiss you like Harry does? Does he hold you like Harry does? Was he a better man than Harry?

He sighed, scrolling through Leon’s photos. He’s a douchebag. Surely, my angel could do better than this. Harry was irked and irritated. Leon never posted photos of you--he only posted photos of football, gaming consoles, going out with the boys, and unnecessary flexing of his father’s money. Harry was annoyed. He felt his skin prickling with the thought of you being touched by Leon in ways he shouldn’t. That night, he drowned himself in putrid brown liquid. To think, he had all the money he could ever want in the world but still settled for convenience store-grade whiskey. Tomorrow would be a better day.

“Fuck,” he said once he woke up. He remembered the night before, him downing the bottle of whatever shit was in the glass bottle. His head was pounding and he knew that if you were here right now, you would take care of him. He always looked for you, even though he was the one who broke your heart. New Years Eve was coming around and people were already asking him to make an appearance in some parties. He wanted to, he really did but the risk of bumping into you in some of the parties were high. He wasn’t ready to see the face of the woman that haunted him every night for the past year. He lazily walked towards his en-suite, one of the many rooms that smelled like you. He made sure to buy the exact perfume you always wore and spray it around the house. Harry knew that it was unhealthy, holding onto every piece of you when he was the one who decided to end things. He was annoyed at himself and wanted nothing more than to call you but it will only stay like that, a wish. He couldn’t bring himself to do it and to call you because he knew you were hurting. Perhaps you weren’t hurting now, seeing as you were with Leon but maybe you’re still stuck on him, seeing as you were wearing his shirt and a chain around your neck with his heavy ‘H’ ring hanging. Who else was ‘H’ in your life? He couldn’t remember any. As he was taking a shower, he was confused. Was that photograph a sign to call you? Or was it you slapping him in the face because you would never come back to him?

-----

Harry decided to drop by Nick’s NYE party. He never got to see his old friend around and wanted nothing more than to confide in his friend. Nick was your friend too but he always belonged to Harry. He was Harry’s friend first, after all. He might see you there but at least, liquid courage would flow freely into his bloodstream, giving him all the confidence that he needs in order for him to talk to you again.

When Nick learned that Harry was coming to his party, he was ecstatic. It’s been awhile since he last saw Harry and he really missed him. After the break-up, he knew immediately that Harry was broken and in the seams--so were you. Nick invited you to his party, too and you weren’t sure if it was an act of kindness or generosity. Perhaps he was pitying you because all of you and Harry’s mutual friends left you after the break-up, a confirmation that they never really liked you. They only liked to be closer to Harry for his money, fame, and influence. Who wouldn’t want to be near the Harry Styles after all? Still, you knew Nick wasn’t like that. He genuinely liked you after Harry formally introduced the both of you to each other. You were practically joined by the hip whenever Harry was touring and it was nice--it was just you who decided to distance yourself from the friendship when you and Harry broke up, avoiding everything that was related to him.

You had just woken up when Leon knocked at your door. Through your break-up, Leon was there to console you. You tried dating each other but it just didn’t work out--Leon was not Harry and you were not a boy. So instead, you hired Leon to be your assistant, seeing as he was unemployed and was also your friend.

“Y/N if you don’t wake up the fucking door I will break this down!” Leon called from outside. Groggily, you made your way to the door of your London penthouse. You opened the door to reveal Leon, in what he would call an outfit that was out of his comfort zone. You understood, though, seeing as Leon was still inside the closet. The only people who knew he was gay was you and his sprinkling of boyfriends who also happened to be inside the closet. You understood, though. Leon’s family was strict when it comes to homosexuality so he had to act as a straight black boy--always going to the gym, making his Instagram as douche-y as possible, and so one. You felt for him, always asking him if you could do something for him. He would always say no telling you how much your friendship and the job you gave him was enough.

“What do you want?” you asked as you walked to your couch to continue your sleep.

“Remember? Nick Grimshaw is coming in today for a fitting,” Leon reminded. You sighed. You were a designer based in London but because of Harry, you had more artists come at you for designs. That was how you and Harry met, you being introduced by Harry L, his stylist, before his world tour for a couple of suits. He then came to you a few months after, asking for some pieces for his magazine covers and you agreed. Your heart ached at the memory of you and Harry playing with new pieces you came up with. Harry always loved your designs.

“Oh, yeah. Where was it again?” you asked, disoriented because you’d see Nick Grimshaw again. You’d be reminded of Harry again. It wasn’t as if you weren’t reminded of him all the time, though. The burning sensation of his gold ‘H’ ring hanging from your chest every time. It became your source of comfort and it was pathetic how you still held onto it for so long--it’s been almost a year. “It’s here, yeah?” you asked, to which Leon nodded. You nodded as well, limping towards your bathroom to be ready for the day.

“I’ll make coffee!” Leon shouted as you trudged to the comforts of your hot shower.

It was a few hours later when your doorbell rang. Nick’s custom silk pants and denim jacket was laying on your couch, ready to be worn by the celebrity. If it fit him, you’d be focusing on the apliques and the details that he wanted to have--they were quite easy actually. He just wanted to have his name in sparkling red embroidery, almost looking like something inspired from Gucci (Harry’s favourite, your heart hurt) but entirely different at the same time. Leon opened the door as you shuffled back and forth to make sure everything was dandy. “Y/n! Oh, how I missed you so much!” Nick greeted as soon as he saw you flip through the crystals that you would embed on the lining of his pants. You smiled and gave him a hug, to which he returned. He looked at Leon and greeted him as well. Leon only replied with a “hey, man” and if it weren’t for Nick not knowing that Leon was gay (they kissed many months ago), he would think that Leon was your boyfriend. “How are you, Nick?” you asked. “Really doing well but better because you’re coming to my party!” he answered. You frowned in confusion. “I’m not going,” you told him. “Harry would be there and I don’t really wanna see him.” “But Y/N…” he trailed. “It’s been so long since we last hung together! If I didn’t know better, I’d say you were avoiding me,” he pouted. Leon decided to exclude himself from the conversation going straight to the kitchen to get some refreshments for your guest. “Nick--” “Just come on to the party and all will be forgiven,” he cheekily grinned. In reality, he was never really mad at you. He understood why you decided to distance yourself from him but he still likes you as a person and wanted to be your friend. You sighed, nodding to his request. He squealed. “Now, where is it? I wanna fit through my special outfit now,” he said. You motioned him to the pieces lying on the couch. “So you wanted to have something hip and vintage, right? Well, here’s a pair of black silk pants. They would be embedded with diamond Swarovskis on the side. Then,” you trailed looking for the surprise that you wanted to give him. “Ah, here’s a special just for you. I worked on it by myself,” you said, showing Grimmy a large hand-made sewn on patch of his caricature. You also showed him ‘GRIMMY’ in a font quite similar to BBCRadio1 in sparkling red thread.

“Wow--I am floored! These are so good!” he exclaimed, carefully taking the patches from you. He observed them, amazed by how far you went onto the detailing of his face to his favourite shade of red.

“Thank you,” you smiled. “It’s nothing. You’re my friend and I wanted to make your day extra special,” you muttered. “I’ll have them sewn on before the event ASAP so you could get it tomorrow or the next if the blank pieces already fit you or the 30th if there are still alterations to be made,” Nick stood up immediately, trying on the pieces over his current clothes and declared that they were the perfect fit. You smiled at him, appreciating how much he appreciated your work.

“I’m really glad to be your friend, y/n. I know Harry will be there and I know what he did but if you ever need me for anything, just call an old man like me, even if it’s just for a laugh,” he said. “The pants and jacket are a perfect fit, by the way.”

-----------

It was the day of the gruelling New Years Eve party hosted by Harry’s friend--Nick Grimshaw. He wasn’t quite sure if you were coming but just in case, he wore the other half of his iconic ‘H’ ring--the gold Gucci ‘S’ ring on his pinky, the ring you gave him on his ring finger, as if telling you that he was still yours to take, and a couple of rings he bought from all around the world. He also wore a custom polo shirt from you, one that you collaborated on with his mum for his birthday. No designer brand could top off the beauty that he was wearing. He was hoping that maybe, just maybe, after you see him tonight, you’d come back to him.

He sighed, anxious to see you—or not. From what he could recall, you distanced yourself from Grimmy. Maybe you rejected his invite, maybe not. Who knows what you were doing anymore? Why should he care? You were with Leon Harris. In his mind, the worst rebound you could ever get. You knew he hated Leon, that prick was a good for nothing douchebag. Harry went over to his collection of liquor, pouring himself a shot of vodka. Who was he to judge your tastes? It was him who broke things off, leaving you with nothing and no one. He knew that your mutual friends sided with him and left you. He groaned as he downed the shot, annoyed at himself. He misses you and he doesn’t know how to take you back.

“Leon, stop!” you groaned as he laid down your revealing party dresses. You were opting for a pair of floral pants and black shirt. Leon, however, disagreed with your choice.

“What? You should show him what he’s missing,” he shrugged.

“There’s nothing to show,” you muttered, taking a red dress off the bed to shut Leon up. You changed, not really minding if Leon was there, seeing as he wouldn’t even think about you that way.

“Look, I know you’ve been wallowing in your sadness since he ended things but it’s been a year, y/n. You should let things go,” your friend sighed as soon as he zipped you up. You sat on your vanity chair and took your curling iron.

“It’s not that easy,” you sighed as your curled the first strand of your hair. You spent the afternoon like that, fixing up your hair and putting on your makeup. Leon sighed, he knew that you were clearly affected by seeing your ex again. Leon was happy though, you maynit see it but you were clearly stressing about what version of you you would present to Harry. Leon was positive that this would end up in some make-up sex but who knows?

Harry arrived at the party earlier than you did. Knowing you, it probably took you hours to get ready for Leon. You loved doing that and you used to dress up for him. Sure, you were a secure woman but you still loved to make sure that your man’s eyes was on you and you only. Still, from a far, he would stare at you, the way he did when you were still together. He immediately made it a mission to look for Grimmy. He was porbably out there, entertaining guests but Harry wasn’t really in the mood to socialize. He was just here to get drunk and see you—if you were even coming.

“There he is!” Nick exclaimed as he saw Harry walk towards him. Nick’s friends looked at the poostar.

“Hey, Nick. Thanks for the invite,” Harry smiled. Nick saw that Harry was clearly uneasy.

“Love the polo shirt but you’d probably want to look like you actually want to be here,” Nick said. “Y/N’s attending the party,”

“Could’ve told me that before I wore this shit,” Harry grumbled. He took a flute of champagne to one of the bartenders walking around and downed it immediately. Nick looked at him incredulously. “If I have to see her, I have to see her while I’m drunk,”

Nick sighed but still guided Harry to the special booth for Nick’s closest friends.

You stumbled in, a little tipsy in the bar to look for Nicky. Nick when you’re sober, Nicky when you consumed alcohol. You were with Leon who was holding your hand, just in case someone bumped in on you and you tripped. Leon sighed, obviously being sober in this situation. He was sure that Harry was here, seeing as there were shitty headlines such as HARRY STYLES WEAR Y/N Y/L/N’S COUTURE IN NICK GRIMES ANNUAL NYE PARTY.

Leon saw it though. He was wearing the special polo shirt you and his mother designed. He knew the intricacies of the polo shirt because on your first and last attempt to date, you rambled about Harry. You told him that instead of the signature tag of the customers with Mademoiselle or Monsieur as prefix, you opted to embroider my love, Harry--a one of a kind polo shirt. Leon has seen him wear the said shirts in Harry’s appearances, even getting the nickname ‘Harry’s special’ by many of his fans.

“Y/N!” Nick exclaimed as he saw you and Leon. You looked at him and immediately sobered up, seeing as Harry was latched onto his shoulder. You looked at Harry, suddenly aware of his presence and your self. He was looking at Leon with jealousy and you knew it, Harry never liked Leon and you walk in here with him in a dress like yours? It was killing him.

“Y/N, Harris.” your ex-boyfriend acknowledged. “Harry,” you nodded. Leon looked at him, aware that your ex was probably killing your friend in his mind. “I see that you have replaced me so easily, y/n,” Harry slurred. He was pretty sure he won’t remember shit tomorrow so he decided to just go with the flow. “Ha! See, Nick? Liquid courage,” he chuckled as he took a swig off of his beer bottle. “Alright, Harry. That’s enough,” you interjected, trying to take the bottle away from Harry. He clearly drank a little too much and you know that when Harry was drunk, he has the tendency to say things he didn’t mean at all. It’s not even a defense or anything, he just does it. “No, you’re not my girlfriend anymore. You can’t control me. Why don’t you go be with that Harris prick? Honestly, angel? You could do way better than that wanker, yeah?” he says, pointing his bottle to Leon who was busy eyeing down Nick.

“Harry--give me that bottle.” you said, clearly annoyed with how things are currently going.  Why was he being difficult?

“Do you still love me, y/n? Look, I’m wearing the polo shirt you gave me,” he says, twirling like a little girl showing off her new outfit. “I see you’re wearing my ‘H’ ring, too. I saw it the other day...Instagram. That must mean something, yeah?”  he asked, tilting his head to the side. He surrendered the bottle to you.

“Come on, let’s go somewhere so you could sit and clear your head, yeah?” you asked, holding his arm. “Leon,” you called to your friend. “I’ll just help Harry clear his mind. I’ll find you later, yeah? I’m sorry,” you said. Leon only nodded, mouthing a ‘sure’ before talking to a friend Nick introduced him to.

“If you don’t love me, you wouldn’t take care of me like this. Remember when you would do this lot? I miss it,” he rambled. You weren’t sure if he was being serious enough but you decided that either way, your heart was hurting. A silence fell upon the both of you as you sat on the booth.

“Harry, stay here yeah? I’ll see if someone could get you some water,” you said, standing up from the couch. Harry grabbed your hand.

“Please, stay. I promise I won’t say anything anymore. Just...stay here, love? Please? It’s been a while since you were this close to me and tonight, let’s just do things like the old times, yeah?” he asked. You were torn, so fucking torn with what he was saying. Wasn’t he the one who asked for a break? It’s been a year and you missed him. You really do.

“Harry,” you started, staring at his lips. You missed how soft it was, you missed how he kissed you. “Can we, can we kiss?” you asked. Harry sobered up. Were you really asking him to kiss you? He sat up straight looking at you. He inched closer until he could feel your heavy breaths. Your chest was heaving and you were itching for him to get closer. He smiled, taking your chin with his ring clad fingers until your lips met. It was slow and nice, two lovers yearning to be with each other again but soon enough, with too much yearning and passion, your kiss became heated. You didn’t notice it but Harry’s hands soon found your arms, caressing your bare arms up and down, the coldness of his rings against your warm skin a pleasuring contrast.

“Fuck,” he breathed as soon as you both pulled away. “Do you want to take this somewhere?” he asked. You nodded, mind too hazy from what just happened. You collected your bag that was left beside you.

“Let’s use the back door and walk discreetly, yeah?” you asked, Harry was never one to bring drivers during the holidays and so were you. You were intoxicated so you both didn’t want to drive. “Then, let’s just hail a car or something when we’re a little too far away,” you said. “I’ll just text Leon,” you added as you unlocked your phone.

“W-wait, Leon,” Harry rasped.

“You don’t have to worry about him. I’m single and I’m not his type,” you breathed as your grabbed his hand. He wasn’t sure if he should believe you, but nodded anyway. He was too desperate--all he wanted was to feel you close. You both made a beeline to the backdoor and exited, silently thanking the Lord for the absence of paparazzi. You walked, an awkward silence falling between the both of you. Still, your minds were hazy with lust, yearning, and love. You were a little far away when you hailed a taxi, telling the driver to go straight to Harry’s place, seeing as his house was nearer than yours. The both of you were obviously itching to touch each other but you refrained, you didn’t want anyone to see and complicate things.

The moment you arrived at Harry’s door (thank God he cleaned), your mouth was on his. This time, your kiss was more daring and passionate, all curfew thrown outside the window. You moaned as he trailed down to your neck, your back against the wall. He was sucking and licking the spot where your neck and shoulder blades met, your spot as he would call it. You were sure that he would leave a mark in the morning but you didn’t care. You were tugging at his hair, something that he always liked, to encourage him to go lower.

“Come,” he rasped as he took your hand to his bedroom. You both tiptoed in the dark hallways of his massive house until your back met the mattress in his bedroom. “How do you think I feel once I saw you in this red dress?” he asked. You weren’t able to answer his question as he kissed you again, only this time, his hand was playing with the thin straps of your silk dress. He lowered it.

Meanwhile, your hands were on his polo shirt, carefully unbuttoning the material off of his torso. Once you were able to take off the buttons, your hands met his tattooed chest. He moaned at the contact.

“Unzip me?” you asked as soon as he moved his lips down to the skin visible on your chest. He sucked your skin as you raised you body, his hands going underneath you to unzip the tight red dress off your body. He stopped for a moment, looking at your naked chest.

“Fuck, I missed this,” he moaned as he put his mouth on your nipple. You arched your chest towards him, his ring clad fingers kneading your other breast. Your hands were inching towards your underwear, nothing really special because you weren’t expecting this. “Ah, ah, ah,” he taunted, the moment he felt your fingers go lower.

“Harry—“

“No, let me do it, love,” he whispered. His mouth latched on to your other nipple, only this time, his fingers were trailing down to your clothed center. Your hips grinded on his hands, the rings giving you more texture. You were whimpering, begging for your ex-boyfriend to touch you. He chuckled a little bit, pushing your underwear to the sides before teasing your clit. You grounded your hips again, and Harry gave in, flicking the button in between your legs.

“Fuck,” you moaned. “more, Harry…”

“You want this? You want me to fill you up?” he asked, breathy. Quite frankly, his manhood was penting up in his pants. You nodded and Harry moaned, completely removing your underwear. Your hands trailed to his pants, massaging him through his fabric. Your hands immediately unbuttoned his trousers, and he stood up, removing it alone with his boxers. Your hands immediately found his dick, rubbing the precum all over before you pushed Harry onto the bed.

“What do you want me to do, Harry?” you asked seductively.

“Ride me,” he says. He bucked his hips towards your hands, clearly wanting more. “Come one, love,” he encouraged. You sat in his lap, taking his dick in between your hands, rubbing it on your clit for a few times before inserting the tip inside you. “I missed this, fuck,” he moaned. You moaned too, sitting lower until his length was filling you up. “I think you had your fun already,” he taunted, flipping you over. He leaned onto you as he pounded into you a few times.

“Harry, shit, shit,” you moaned. Your hand went to your clit, rubbing it as Harry went in and out of you.

“You just can’t get enough can you?” he asked. Your other hand and legs were around him, your nails digging onto his back. You nodded. “You’re not gonna cum until I tell you to, love,” he said as he pounded into you harder. His hand was immediately on your nipple, pinching and tugging it. It was sensory overload, his hands on your breast, yours on your clit, him inside you, your nails onto him. He moaned, putting his mouth on yours as his tongue entered your mouth. You both felt his thrusts going sloppier and sloppier as your walls started to clench.

“Harry, I’m cumming, fill me up...cum inside me,” you moaned. The popstar only gruntled, obviously bathing in your wetness.

“Cum, princess. Cum on my cock, cum with me,” he moaned as you both came, his cum filling you up and your walls clenching around him.

“I love you,” you whispered, hoping he didn’t notice but he did, stopping for a moment, looking at you. “Let’s talk about it later,” you smiled.

He thrusted for a few more times before removing his girth inside you. He immediately looked for a towel to wipe you with it and you waited. He always did this—you waited, basking in the afterglow of sex.

—————-

It was 4 am in the morning and you were both naked underneath the sheets. You didn’t talk about your confession, sleeping immediately once he wiped down the mess on your legs and he sighed.

It was 4 am and he was sound asleep, his tattooed arm wrapped around your torso. You removed it carefully and he shuffled in his sleep. You watched him, tears springing in your eyes before silently dressing up and tiptoeing until you were outside his room. He didn’t notice it, too sound asleep. You were silently sobbing as you buckled the straps of your black heels, calling for a car. It took a few minutes of you waiting outside his gates, the cold breeze raising goosebumps on your skin.

That was how you spent your New Years Eve and New Years, having sex with your ex and then, regretting it hours later because you told him you loved him.

PART TWO?

happy new years! i hope this is the first / last fic you’ve read for the decade. thanks again! xxxx

taglist:

@giitterysuits / @floral-suits @bree082 @dezzym17 @bouncebackbyers @lolapuffs @belleamoree @demolition-lovers-blog @gorgeouslygrace @styledharry @nervousshoeghostmoney

[latin-dr-robotnik]

You know, since I started this blog and my other Spanish blog I always thought my opinions were maybe a little too strongly biased towards Sonic, even when talking about many other gaming franchises...

But hooooo boy this video is something else.

But it’s fine. This is the sort of video I would expect for the 30th anniversary next year, but having it today is nice as well. I don’t know if I would get as defensive as some of the moments of this video (specially that 20-minute long introduction), but I get it. S3K is also my favorite Sonic game, and one of my favs of all time. I played this at such an early age that -without ever thinking too much about it- this has set a standard for all things gaming for me (and I finally realize why I said what I said in this post about judging videogames harshly for their music, it’s because these games showed me so much more). It ain’t just nostalgia, it’s brilliant game design and a benchmark of how ambitious this franchise could get when it gets its shit together. I too felt sad every time Sonic 2 got all the praise while S3K was forgotten and talked only because lock-on or because MJ worked a bit on its music. I did get mad at IGN for a while for their utter disrespect to a franchise that, despite receiving fatal blows that would kill any other game franchise not only once, but twice, still lives to tell the story to this very day. But not that much anymore.

Sonic is special, very special. Just before finding this video I was wondering about why the 2D Sonic games were harder to get into (I have no plans to translate that into a Tumblr post, so it will stay in Spanish, sorry not sorry), and parts of this video not only explain that very same point, but also reach similar conclusions as I did. Being more than your traditional platformer is what sets Sonic apart, and this is a point brought on the video but not on my part, but the experimentation part of this franchise is also a very big atractive point, regardless of the result. We Sonic fans tend to complain about lack of consistency in the games, yet we still love 3D Blast, Black Knight, Unleashed, Heroes, Battle, Spinball and more. Sonic, as a character and as a franchise, never settles for less, for better or worse. That’s why is a bigger sin to have a boring Sonic game rather than an utterly broken one, and why games like Forces can be much more heartbreaking than '06.

But, even if I consider S3K this golden standard for all things Sonic and most things gaming, I have to disagree when the video asks us to refer to this very game when someone says “Sonic was never good”. I don’t need to pull out a 26-year old Sonic game -my fav in the series- to say this “was” a good franchise, because it still is. We are just coming out from one of the most successful movie adaptations of a videogame ever; we have lots of animations -official and fanmade- made out of pure love and respect from this franchise. We have some of the greatest videogame soundtracks of any videogame franchise period. We have 27+ years of varied TV series that tackled topics ranging from wacky and silly fun to serious story developments. We still have the record for the longest running comic series based on a videogame, even though said comic has been dead for some years now. We have one of the best and worst fandoms of all at the same time, filled with well-known infamous personalities, and some of the best, most talented writers and artists I’ve seen and even had the pleasure to talk to and share a laugh or an idea. We have one of the strongest fangame and reverse engineering communities out there, to the point some fans have proven to have the professional skill and love for the franchise to create one of the best official Sonic games of the past decade, while many others use their knowledge to kickstart their own indie careers in the industry. And best of all, we have one of the most iconic fictional characters of all time, even people that haven’t ever touched a Sonic game in their lives know what a “Sonic” is. 

If anything, we Sonic fans tend to undersell the value of this franchise, and while I can and will keep on referring to this game when the “best game” discussion pops up, I don’t really have to look that far back to find signs of Sonic’s greatness.

Even at its worst, this franchise keeps on chuggin’ along. (And there’s a reason why it keeps on going where other competitors have simply vanished from existence or been recently brought back for a quick nostalgia-check.)

On a different note, every time the Sonic fandom is brought up and how “Sonic fans keep fighting at each other when it would be better to leave our differences and join all together”, I can’t stop myself from thinking about this place, the Tumblr Sonic fandom, a place that can get a little bit tarnished due to the overall reputation of the site (it’s a constant love-hate relationship, I admit.) The place where we disagree from time to time but don’t really go nuclear on each other (at least not that often lol); the place where posts like this one pop up all the time, some with an astonishing amount of research and understanding of all the aspects of this franchise; the place where most people I’ve known (and even myself) said it’s “the best corner of the fandom.” And for that I raise my drink to all of you, thank you for sharing this passion together. 

(Now, can we get Nick to look at this place? :P)

“There’s a moment when you realize you’re playing your favorite game”

You know when I realized that? As soon as I found the very first giant ring on Angel Island Act 1.

[tisthenightofthewitch]

Tobias Forge: New Ghost Songs Designed to Fill Out Live Show

The evolution of Ghost seems almost mythical. How much of what the band has become did you actually envision when it started?

Damn. I's unfathomable looking back years to the embryonic state of Ghost as an idea.

I definitely felt like there was a career there or that there was a forum and that there'd be a crowd that would be a designated audience. I could really feel that already from 2008 when the first demo songs were being played to just a few people. Just the mere reaction of those people hearing it that early, you could tell that there was a vibe that was not really comparable to the current bands that I was in. So, I always had a good feeling about it, but fast forward 10 years and looking at a lot of the success, that was not taken into account at the time.

Headlining an arena tour is an opportunity to take the theatricality of Ghost to an even more elaborate level. How do you present a big show without overshadowing the music?

I don't think that there is such a thing really. It would be kind of miraculous if you've gotten to a level where you're allowed to do a big, spectacular show if you didn't have the songs already that you've built your career upon. I'm not trying to toot my own horn here, but I'm just saying that I think that, despite Ghost obviously being a very schticky band, I would never claim that we got to the point where we got to with music only.

Of course, the imagery played a giant part. But I know no bands at all that had a fantastic image but really sucky music that got anywhere. Maybe they, cult wise, got somewhere, but they never really materialized or amounted to grander things that don't have music that moves people. One thing that bands notice if they're ever given the chance of playing really big places is how much effort you need to put in.

Those steps and those measures feel like all of it on paper is almost overkill. Once you get there onstage, and once you do it, you're like, 'Oh, it's just like a normal rock show. It's just what I've seen many times.' I'm not saying repetitive.

One simple example is when you're a small band, you start out with a backdrop of a certain size. It feels like a huge backdrop when you bring it to your first club show. Then all the sudden, a few months later, you might support a bigger band in a theater, and you bring your big backdrop and now that backdrop just takes up a quarter of their big backdrop.

So, you make another big one and it's a really big one that on paper and once you order it, it looks like it's going to be so huge. Then when you play your first outdoor show in a shed or in a festival, it doesn't even look that big now. So every step you take you realize that what seemed inconceivable and almost vulgar in terms of overstating something half a year ago or three years ago, is now industry standards.

When you headline in an arena it has to be this big. It has to have these amount of fire canisters and this, that and the other. If you do it all really well, it's gonna look like an arena band. But my ambitions are bigger than that. There's a lot of things on my to-do list that goes into the future.

Ghost are categorized as metal but there are many other musical nuances throughout the songs as well. What taught you the musical adaptability that's so prevalent to Ghost?

I think it comes from a musical interest — an obsession with music, that actually went a little bit beyond just metal. Throughout my life, I've obsessed about many different bands and many different genres and many different ages of rock. I'm saying rock because it's still, besides my fascination for like classical music or film scores and pop song, everything else has been sort of rock-oriented in some way, be it early '60s with all the Beatles and Kinks and all that stuff.

To prog rock, to punk rock to hard rock, everything has sort of been rock based when it comes to being embracive of bands and artists. Whereas I've always had a very big love for songs in general and of course a lot of that is rooted in listening to radio and pop. But just because I like Nik Kershaw songs, it doesn't mean I'm obsessing over him as an artist at all. The same way that I would over [laughs] The Smiths or The Doors.

But I think, definitely, if I was to credit the diversity of Ghost music it would definitely be my upbringing musically. The fact that I was exposed to so much different music very early on. Absolute obsession for the Rolling Stones, my absolute obsession over The Doors, as well as my absolute obsession over Metallica and Morbid Angel, just to name a few.

Overall Ghost seems tailor-made for a concept album. What would be the positive and negative aspects of that format for you?

I'm often in sort of an inner conflict with myself for the idea of concept albums. My albums are always loosely themed around something particular. Just to draw parallels with other bands, I would say that it is loosely themed in the same way that Metallica's [early albums] or Iron Maiden's album are thematic. They are just based on and idea opposed to The Who's Tommy or King Diamond's records that are a story from start to finish.

I would say that I'm a little bit more like, Pink Floyd's Wish You Were Here. It's a little bit more like based off of feeling. Wish You Were Here was based on the idea of missing and longing for someone. Everybody thinks it's about Syd Barrett, but it wasn't specifically about him. It was not a record that had to do with him alone.

I am, so far, into the planning stages on the new album right now and am trying to find the balance of how to incorporate songs ideas that I have and tie them in so it's loose enough to feel like what I thought of but clear enough to feel like it's a theme.

I've had this issue or this subject in our agenda for the previous albums as well — to avoid turning it into something like a story? The problem with that is that you're committing, you have to commit, you have to go full-on, completely committed into orchestrating that story. And when you're writing a story all of a sudden, there are dramaturgical needs that a story requires.

I am very, very interested in cinematic theater, so I would have very high demands on that storytelling. I just feel that at least as of right now it feels like that's a little too ambitious for me. At the end of the day, I want to write a record that is filled with good songs that will fit very well into our other pile of songs that we have for an album's worth of material.

To answer your question, I think that is another issue that if you make a rock opera. All of a sudden you have to store them. Like, how does this record fit into the rest of our repertoire?

I know that Pink Floyd solved it by for many years they played the current record. That was sort of act one. So they would go out and they'd play Dark Side of the Moon, and then they would come out after a little intermission they would come out and play like a hip sort of thing. And that's great. I would've loved to see that. [laughs] But it takes commitment and you need to sort of fully embrace that. I am not there right now. I want make a record that is a little more according to what the four albums I've already done.

It's hard to imagine Ghost without the charismatic characters. How do those identities empower you as a performer?

Speaking just for myself, I know that coming out onstage as another character, looking different, acting different, definitely allows for you to act and behave in a way that you wouldn't normally do. This can be both traumatic and also therapeutical in away.

Even though it's been a long time since I practiced any sort of martial arts, I almost feel similar to myself back then, like after karate class. I did all kinds of things. I did Judo, jiu-jitsu, tae kwon do and karate. After you are sort of cleansed from any sort of violent urges that you had. And in a way, I feel that way. Especially now when we play on our regular nights. When we play that long, any inkling that you have of wanting to dance and rock out is sort of over when you come off stage, which is very nice.

One of the luxuries of being able to dress up for it and become a different character is that as soon as I am not that character anymore, no one expects me to behave the way that the character does onstage. No one expects me to be that way offstage. There's been a great handful of rock artists that have had a big problem differentiating themselves from their character onstage. And that leads to a lot of potential problems.

You are tentatively planning to start recording the next Ghost album early next year. What informs or inspires you when you're in creative mode?

Pretty much all the same things that have always inspired me. I just add more things, but luckily I have managed to maintain my little oasis of inspiration or the well that doesn't seem to dry up. For me, I can still go back to films and records and books, a myriad of things. That still keeps me fired up and in awe to the point where I want to do something similar.

We still have months to go of touring and right about now has been the case in previous album cycles. I start to get very antsy about going into the studio. My mind is definitely far up in the new record. But also, making a new record for me nowadays is so much more than producing 40 minutes of music.

It's also hard work thing and a visual presentation first and foremost. Despite my love of making records and wanting to put my vision and musical ideas on to vinyl and wanting to hear that, it's about tours. That's what we do.

Making a record is not only making a record, it's also planning the show. And a lot of things, a lot of gags, a lot of production values that I've had ideas for - for songs that I wanted to do on a live stage that we haven't gotten to do but now are closer to being able to produce — basically a lot of the gags that we haven't been able to do before goes into consideration when making a new record.

It's like what kind of song do we need in order to make the show a year and a half from now all those things that I wanna try to present. So making the record goes in tandem with the existing material as well, from the live point of view. It's important that the songs I'm adding to the repertoire - I don’t know, however many songs we play live, but if it's a good record, maybe you can play seven songs from that new record? Eight songs? I don’t know.

But you want those songs to have relevance. You don't want another "Absolution," you want another song that we don't have. You don't want an exact replica of "He Is." You want another song to sort of perfect the live show. So, yeah, there's a lot to - you have to spend a lot of time thinking about that in order to get that right.

FULL METAL JACKIE RADIO

[artdjgblog]

Innerview: Ercan Ucer / Grafik Tasarim (Turkey) October 2008 Image: Giphy Note: Take #2 of a design magazine interview.

​0​1) How do you name yourself other than being a versatile designer? In the past year and a half I’ve come to realize that I’m not really a graphic designer. It’s definitely in there and will always be because design is a poison, like any vocation or skill can be. But, I’ve always approached the way I work as an artist first, and I don’t fancy myself an artist either. I am what I am, though I can’t always be so selfish. Am I an illustrator? I guess there is a collision of the three. Add this to a love for getting my hands dirty, plus a celebration of youth and American pop-culture mixed with Eastern European and post-WWII American Design – B.C. (Before Computer) and the product is me? “Versatile” is too defining of a word for me and way too classy. I simply like to say I make things. Each day is new and I haven’t a clue what I’m going to do. ​0​2) What is the relationship between marketing and your designing process at different areas? (poster, packaging, logo…etc) A design is a marketing tool, no doubt. I haven’t really worked on a large scale setting with this, but I have in terms of marketing on a small scale for rock concerts and prospective CD buyers. Though, a designer plays eye-grabber, a designer is not really a marketer, but I guess it helps to attract attention or sell something. I had friends in college who studied marketing as well as design and they’d probably be more equipped to answering this question. It’s an area I’m not familiar with other than thinking of ways to attract people to get excited for a musical group, a sound, feeling or expression by way of putting a stamp on a poster, CD or logo design. It is a marketing tool especially when working with a client. It certainly is not only what the artist-designer can bring to the “product” (Though, I do think this can apply at a certain larger level with selling something), you’re also working for somebody and trying to sell an image or an item. In the case of a show poster, you’re selling a concert venue or the place the poster is hanging or even the music scene and the city and environment. I think this can be a tricky walk. I’ve been fortunate to have some small success with great clients and great projects to where things work out well. I guess it helps that independent music graphics kind of start out in left field to begin with, to where they are approached more like an art project than a product? Though, I don’t think that the work should not limit itself to a certain kind of audience. I think it’s great when the work speaks to anybody. There are times though where things don’t mix well, whether under the weather by design, client-wise or consumer. It’s just part of the deal. The work isn’t always going to be a homerun. Another deal is the way people interact with communication in marketing. Today I find that technology has a lot to do with people getting information for a rock concert via social networking sites, musician, ticket and concert venue sites. I don’t think that something like the poster will ever be dead, but technology can almost make a poster feel second-rate, a collector’s keep-sake and more for show than for the actual show. Logos are very interesting when it comes to marketing for bands because they are generally slapped onto many-many products. I’ve worked with a lot of music-related designs, but I’ve also made logos varying from a lawyer to an internet-computer company to a church before. So, these different applications encourage me to find new ways to talk to other audiences who come searching for something that isn’t entertainment, but I approach these designs with the same techniques and tools I use with the music graphics. I try to give something unique, and of a new take, to get a double-take. ​0​3) Can you tell us about your working environment and your different feelings or extraordinary events that inspires you? Ever since I was a child growing up on a farm, my working environment has been outside and especially in my bedroom. Working environments also extended to anyplace I had my eyes open. I certainly believe in a home base or comfort zone of operations, but a lot of my more thorough processing happens while out and about and then I bring it back home with me to make. Currently I work out of a basement in my home. I’ve constructed a work space out of wood found in the street. I call it my “club house”. I love it down there despite my continual problem with having a work space that barely has room for me to work in! I collect and store a lot of things around me and still have a lot of my childhood things around me, along with piles and piles of supplies, research and things I’ve found or see the potential in for a future use. I have a mind-set that if I can’t use it today, I can easily use it in 50 years. I’m a major fan of extraordinary events and tend to find humorous and peculiar ones to be more my taste, and more-so in retrospect of the event. I feel to be blessed with a certain quality that attracts odd circumstances, or maybe it’s all in my head? Extraordinary has its own brand of “something”, but more often I find inspiration in places, events and things that are fairly run-of-the-mill and everyday ordinary for anyone, which can give them an added cushion of “extra” for me. On my website I’ve made a list of my history, the things that have been the everyday ordinary for me, but might seem very out of ordinary to others. It all depends on perspective and where you’ve been. ​0​4) When did you discover the impulse that led you being a designer? This impulse to leave behind a paper trail of some sort on my impression has always been kicking around in me. I didn’t fully know it at the time, but I believe it started when I was young as I don’t remember a time when I wasn’t doing or making something. It’s a large part of my make-up. Much of it has to do with my farming background and watching my Dad and his Dad and others always doing or working on something whether it was building fences, planting crops or tending animals. I also owe a lot to my Grandma, for her hands-on making skills and to my parents for allowing me to grow-up fully plugged into the American pop-culture of books, toys, music, movies, video games and sports. Now, I just feed off of my former self and continue to feed for the future. It’s not work to me when it truly works and I enjoy myself. ​0​5)  Is looking at life always from a different angel, the designer’s necessarily ego? Most any area of most any job, skill, talent, business doesn’t come without some ego hurdling. The ego is amped further within the arts. Inflated achievement comes with ease when your voice gets a little loud in a “scene” or beyond. I’d like to think I’m fairly grounded, but it’s hard not to feel the eggs weight the other side when I’m told I could be sitting on a couple of golden ones. Working a day job can help matters, but it can also be a nightmare with time management. I have to just tell myself that I am a man and a man who happens to make things. Still, that can be hard. It doesn’t mean that I’m better than somebody or am a “somebody” because I’ve found a certain something within me. I just enjoy my life and feel very fortunate to even know what I want to do with it. I think one needs healthy doses of reality and a whole heap of humor to make it too. Besides, I have no answers. If you know somebody with it all figured out, have them call me! What helps me is to find comfort and ease is venturing back into my child manner. I’m much more content and find peace when I’m either looking at the world through a certain lense that I might qualify for, or just making and enjoying the act of celebration in creativity. The moment I start to think too much about it all or answer questions, that is when it can get a little dangerous in the head. I’d like to think gaining wisdom through age and maturity helps. I know that my energy and will-power have died some, and of late I’m leaning on this as a benefit. I think I say and do some dumb stuff today, though I’m positive it’s a little less than yesterday! ​0​6) Can you inform us about graphic design’ s one of the important field, package design and your sketches? / Tell me about the sketching and process of packaging. There is a certain amount of image longevity that becomes attached to packaging. I’m not experienced in much more than musical CD packaging, but I think a long life span especially applies to this in the iconic halls of pop-culture, even on small levels. Though, that’s not the reason to put into making something and/or package something but if you can add some meaty eye candy, then so be it. I love poster design because there are endless possibilities to exhaust, many ways to work reach-and-grab-of-the-moment and intuitive, and if something doesn’t work all-around, it’s throw-away and will die soon like house flies. CDs are so different, at least for me, and they can be quite intimidating and intoxicating. Sometimes another designer’s great CD package makes me not wish to do another one, and in a good way! With my own process, I do a little bit of sketching, but more-so the process and evolution of the CD package is the sketching for me. If I’m rewarded with an ample amount of time to work on a CD I usually make it happen in three different sessions, or what I call “incubation stages”. This allows me time to sit on ideas and to come back to them with fresh perspective and clear head, to play or spin off ideas and avenues. When figuring out an image or “look” for an album, I like to at least digest the music or get a track listing. With the way in which I work, I tend to feed off of my day-to-day (sometimes minute-to-minute) emotional handy work. It can be a little strange though as I can easily obsess over wondering the what-might-have-been with something like a CD package or anything. I think that a CD package for me can be extremely different given what day I’m at. I do believe my best packages have come down on me at the last minute, intuitively and usually on the lowest of budgets. And I mean cheap, major cheap. 0​7) What are the benefits of making global designs for the designer? I love a body of work, one that breathes and not only serves as a timeline for the maker, but also for views and observations on life itself. Ideas that can extend globally even, throughout time. I think that a great body of work can extend to anybody, anywhere in the world. And even if it is for some other body like a client, it is always from its original body of the creator. Anything that goes global is still connected to that first breath of singular life. Due to technology, it’s so much easier today to go “global” with designs, even if one does operate on a small scale. I think it’s great to put the work out there, to share, even if it’s not marking up or wrapping up a popular product. In today’s fast-paced world of millions and billions of images and things flashing, it really does mean a lot that my meager things have made it in some strange little way. Even, if it’s just a grin or a double-take by someone looking at a little poster on a wall or in a magazine or a global internet billboard or world-wide magazine and book distribution. Though, a part of me still likes to keep some things to myself. And I’m odd because I personally don’t like to attract attention to myself with graphics on the shirts I wear or product logos on bags and things. ​0​8) Can you explain the relationship between marketing and designing? I’m not sure if I was successful, but I tried to answer some of this in question 2. With this one I’ll try to wrap it into the way that I work, to where my designs act as marketing tools for me, as well as the product they are pushing. Until recently I’ve never had to market myself in conventional practice. For the first six years my work itself was the marketing. Everything from a poster to a package and a logo has been on the same level with causing a “Trickle Down / Word of Mouth” marketing effect. And I’ve been fortunate to keep fairly close relationships with my clients due to a small industry I work in. These clients have brought other clients. For my first two years I was living and working with several bands in a house. I didn’t have to leave and would get new work constantly. At times I’d just make things before I was even asked. Some of the best marketing can come in poster making and that is how I started to gather some attention. Posters have a short shelf life in comparison to packaging and logos, so there is always a new one to tack up. And if a poster doesn’t succeed, then it’s easy to just make another one. It’s just a poster and practice is good. After a while people start getting curious and come looking for you. ​0​9) Does any of your designs have an unforgettable story? The “Whatever Makes You Happy” CD package design I made in my basement in June of 2002 for the band Elevator Division, is one of my most memorable moments. It was a special run of 250 handmade CD packages and my idea came at the last minute. I made an image of a hand shooting off its index finger like a missile that married the themes for the album perfectly, with reflections of war and failed relationships. It was the idea of shooting off one’s options and making decisions. It was fitting for the band-music but also for the national-world climate. Each one was hand-cut from cardboard and stencil sprayed and rubber stamped. Inserts were copied, cut, folded and glued. At the last mist of red spray paint, a crack of thunder shook the massive home’s foundation and I bolted from the basement and out the front door to a down pour of rain. I leapt off the front porch and slid head first down the front lawn embankment and into the street flowing like a river current. The drug dealing squatters of the home across the street were on their front step looking at the fire in my eyes and the red paint streaming from my ears, nose and mouth. It was a high much higher than that of chemical substance. -djg

[radioromantic-moved]

All the AU asks for Rainbow and Rarity? :33

(TY!!!! i’m gonna put these under a cut cause they might get long jjdhjdhn also to make things easier we’re gonna be human by default (or otherwise if the au calls for it) and in a poly relationship...raridash rights)

cowboy AU: who’s the protective sheriff? who’s the tough outlaw? give one headcanon about you and your f/o’s relationship in this AU! 

okay so dash would DEFINITELY be an outlaw cause that’s just how she rolls! she’s wanted everywhere she travels and she’s notorious for just how fast she is--she’ll get in, get out, and you’ll be cleaned out before you ever knew she was there. she does have a soft spot, though--she’ll never hurt kids, and is careful to never do anything to put them in danger

i’d be the sheriff! i probably have a fair bit of anxiety surrounding my ability to protect the people i’m responsible for and therefore have a tendency to overwork myself. when dash starts causing trouble in town i immediately jump into action

rarity would be one of those saloon dancer girls? you know the ones. she and i are friends because the saloon she works at is the first place i go to when i’m feeling upset and she’s always a really good listener who genuinely cares

i end up being the first person to come face to face with dash during a robbery. she ends up escaping but that’s not the last we see of each other--she’s back a few days later, and a few days more, until i start wondering if she’s playing with me on purpose...we have that flirty rivals dynamic a little bit 

florist and tattoo artist AU: who owns the floral shop? who owns the tattoo parlor across the street? give one headcanon about you and your f/o’s relationship in this AU! 

this sounds crazy but...rarity as a tattoo artist?? she has the artistic eye and i can definitely see her being intrigued by more “natural” designs to the point where she visits a floral shop to get inspiration

dash and i could run the florists together! she’s drawn to more “exotic” (read: dangerous) plants like flytraps and ones that are kind of poisonous. i just like colorful flowers and plants with interesting biological processes

so rarity starts coming in to sketch designs and ends up befriending both of us on alternate shifts...dash comes into the tattoo parlor to ask for a design but also just to talk

we end up surprising her with a bouquet we put together of the most beautiful flowers we could find and she...she probably tears up to be honest. i think it’s the kind of gesture she’d appreciate

pirate AU: who’s the infamous captain of the ship? who’s the determined stowaway that joins the crew? give one headcanon about you and your f/o’s relationship in this AU! 

dash is DEFINITELY the captain. she canonically loves piratey stuff. probably unbeaten in any duel. she’s a legend across the high seas!

i’m her dedicated first mate who plans stuff and makes maps. i’m not as good with the fighting and plundering but i know more about how to silence a siren than anyone else on the ocean and i’m the most trustworthy friend dash has.

rarity is a high-class member of nobility who feels stifled by her constant responsibility and longs for something more--something adventurous. 

so she stows away on our ship! she’s eventually discovered because she tries to sneak up at night to steal a few things to keep herself clean. dash originally tries to hold her for ransom but eventually she starts to grow on the whole crew and us especially

arranged marriage AU: who’s the one being shipped off to an unfamiliar kingdom? who’s the heir that has to welcome their betrothed? give one headcanon about you and your f/o’s relationship in this AU!

royal and guard AU: who is the confined royal? who is their dutiful guard? give one headcanon about you and your f/o’s relationship in this AU!

okay i combined these two into one because me as the isolated royal of a small kingdom with dash as my unfalteringly loyal royal guard?? good 👏 shit👏

rarity is the heir to the throne of a much larger kingdom rich in jewels and treasures. ocassional rumors pass through the kingdom about their princess’s supposed magical ability to divine the location of gemstones

a marriage between our two kingdoms would vastly improve the financial wellbeing of my kingdom so i’m sent off to get married. dash comes along to protect me. neither of us are particularly happy about this initially because we may or may not have been carrying on a secret relationship beneath the knowledge of the other members of the kingdom

but then we meet the princess, who is genuinely kind and generous and cares so deeply for the people of her kingdom, and hey, maybe this arranged marriage deal won’t be so bad after all

mafia AU: who is the ruthless leader? who is their loyal second in command? give one headcanon about you and your f/o’s relationship in this AU! 

listen...do i have any of the required traits to lead the mob? no. am i going to say that i lead the mob here? yes. yes i am. i have everything planned out, down to the littlest detail, and i know that my subordinates have the talent to pull it off.

dash is my second in command, famous for her flawless capability to pull off anything demanded of her, no matter how complicated or how high the stakes. you don’t want to have her coming after you.

rarity is an informant. she can charm information out of absolutely anyone, and she’s not just a pretty face, either. she’s clever enough to put together pieces based on what you didn’t say--the way your eyes nervously dart back and forth, the way you pause before saying your next sentence. she’ll have you figured out before you knew you were trying to hide anything.

together, we’re a formidable team. you don’t double cross us if you know what’s good for you. we’re the stuff of stories, but not fairy tales--more like cautionary tales.

1950s AU: who’s the popular prep that stays out of trouble? who’s the cool greaser who loves causing trouble? give one headcanon about you and your f/o’s relationship in this AU!

dash in a biker jacket is enough to kill me stone cold dead so yeah. greaser dash 100%. she’s always out causing some sort of trouble--consequences? she doesn’t know the meaning of the word.

rarity is the most popular girl in school--and the prettiest, too. actually, she’s kinda perfect in every way. good grades, huge friend group, killer sense of style, and she’s genuinely a sweet person. trouble? she doesn’t know the meaning of the word.

i’m a shy nerd in oversized sweaters who carries around thick books and for some reason has an enormous crush on both of them, the two people who have got to be the most out of my league of any people ever to exist.

or maybe not? because it turns out they’re both actually very down-to-earth and sweet and maybe i’m crazy but do they like me too?? like dash invited me out for milkshakes that one time and rarity wanted to see that romantic comedy with me but i’ve got to be totally out of my mind---

masquerade AU: who is the generous host of the ball? who is the mysterious guest? give one headcanon about you and your f/o’s relationship in this AU!

OH rarity hosts 100%. she lives for drama and a masquerade is a night dedicated to being your most dramatic self!! she’s all for it also people hire her to make costumes for them so bonus for her

i get invited and panic because SOCIAL SITUATION AAAAA. FANCY SOCIAL SITUATION AAAAAAAAA

i invite rainbow to come with me cause she’s the most confident person i know and even though a fancy party’s not really her scene, she can’t say no to me

so we go together! her outfit is obviously crazy colorful and avant-garde and off the wall because if she’s gonna be formal for the night, she at least wants to be SEEN you feel me. i’m more lowkey especially compared to her--lots of dark tones and maybe some silvers and golds thrown in. rarity is intrigued by us both--we seem so different and yet we complement each other so well! she ends up spending most of the night with us...and she’s left wondering in the morning how she’ll be able to find us again

vampire AU: who’s the secluded vampire? who’s the undaunted vampire hunter seeking them? give one headcanon about you and your f/o’s relationship in this AU!

rarity is the vampire absolutely. again...the drama...the CAPES the CASTLES the MYSTIQUE she couldn’t imagine anything better!

rainbow is the vampire hunter! she’s got the perserverance and the courage for it

i’m probably that one eccentric local who’s spent their life studying the paranormal. they all laughed at me but NOT ANYMORE--

rainbow drags me along to rarity’s castle cause i know my stuff. she welcomes us in, planning to feast, but ends up just a little too interested in us. rainbow, too, finds it hard to defeat this creature who looks and speaks so much like a human, with her dark and fascinating beauty. so we wind up at a stalemate--and then perhaps a comfortable friendship, and then perhaps more.

bartender AU: who’s the hard working bartender? who’s the regular who’s had a string of bad luck? give one headcanon about you and your f/o’s relationship in this AU!

rd is as close to a hard drinker as hasbro can show on their children’s pony show so she’d definitely be the one frequenting the bars

i’m the bartender who usually ends up saddled with the late shifts because i...don’t really have anywhere else to be. and i have a hard time saying no to people.

rarity is dash’s designated driver who spends the whole night nursing a single martini. she sighs and says this always happens on girls night

i end up listening to dash spill out all her problems while on her third glass of cider JuiceTM while rarity pats her back sympathetically. it happens often enough that eventually, i start finding myself looking forward to it.

angel and demon AU: who is an angel? who is a demon? give one headcanon about you and your f/o’s relationship in this AU!

this one actually took some thought!! i think i might be a fallen angel. maybe i delved too deep into some forbidden books, looking for knowledge that could make me all-powerful, but my hunger to learn went too far

rarity is a demon of envy. she lures mortals in with pretty words, promises them wealth and beauty and and fame and all they could ever want, until it’s all they can think about and they’re too far gone to claw their way back up into the light

dash is an angel who’s dedicated her life to pushing back dark forces with all of her might. and she likes the wings. the wings are pretty cool too.

we were close friends when i was an angel, and when i fall, it hits her hard. she eventually performs a spell that allows her to visit me, and ends up meeting rarity, who i’ve befriended. she ends up performing it more and more often, and every time, it feels like without us, she has a little more to lose

android AU: who is a curious android? who is their dependable mechanic? give one headcanon about you and your f/o’s relationship in this AU!

i’m probably the mechanic! the girls are my magnum opus--two self-learning, hyper-intelligent androids who, and i may be biased, are also just plain easier to talk to than real people.

rarity’s main goal is to be helpful. she prioritizes aesthetic--she thinks about how she can bring comfort and beauty into others’ lives, and she loves to learn! she’s very good at remembering new things.

dash’s main goal is the same--she wants to be helpful. however, her priority is usually whatever gets the job done fastest. when she sets a goal, it automatically becomes paramount that she accomplishes it. it takes her a little longer to recall new information, but she still wants to learn as much as she can!

 they follow me around a lot. like little puppies...whenever they see me doing something new or using something they’ve never seen before they want to know everything about it! but they’re also really good at listening--when i have a problem that I need help with, their advice is always thought out and insightful!

cosmic deity AU: who’s the personification of the sun? who’s the personification of the moon? give one headcanon about you and your f/o’s relationship in this AU!

oh this is an absolutely FASCINATING au. i’m thinking dash would be the sun! she burns the brightest and the strongest, and her passion shines down in everything she does--everything she is. 

rarity is the moon! she is no less beautiful, but hers is a more subtle kind of beauty. it’s the kind that wraps itself around you when you’re alone and whispers i’m here when no one else will say it and watches to make sure no harm can come to you.

i could represent the stars--i paint stories in the sky each night, watching through a million eyes so i don’t miss anything, shining brightest when it’s quiet and still and dark.

together, we are a perfect balance--for in every way we are different, we are united by our love. our love for each other and our love for the world that we watch so dutifully. we are light and dark, hot and cold, but we all burn bright.

[winterironbang]

Art Previews

Below you will find the art previews for this year, remember authors that its not quite time for claiming yet!

Take a good look and pick 2-3 favourites and remember which Number they are for when claiming does begin.

1. Prompt: Tony was taken by Hydra not long after the New York invasion and experimented heavily on Tony. The Winter Soldier escapes his captivity and kinds Tony locked up in his dragon form in a huge cell and decides he should break this poor creature out as well.The Winter Soldier could be his own personality next to Bucky, and if so he doesn't like Steve if that would come up. Restrictions: No Rape/Non-con, No OT3 (Stuckony), preferably a rather happy ending, or bittersweet. No sad endings. CLAIMED

2 Prompt: Tony has always had a thing for swimsuit models.Limitations: go wild.Additional notes: happy to be as involved or uninvolved as the writer wants! CLAIMED

3. Warnings: None that I can think of? Prompts: Definitely don’t have to stick to this, but this was just what was in my mind drawing this — They’re a Shoulder Angel and Shoulder Demon each trying to do a good job for their assigned Human - Natasha Romanov. I’d love it if maybe they’ve been working together over time to help Natasha (maybe to get out from under Red Room) without actually really seeing each other for a while until eventually they do. Not-Quite-Identity!Porn of some sort, with a bit of oh no he’s hot when they meet. Just imagine the hijinks with a little Nat and these boys as her conscience! Ha! Limitations: I know Tony is depicted as a Demon here, but this is Tony, please don’t make him out to be the actual Devil? He’s just doing his job but - oh no! - he gets attached to his Human and adversary and only wants the best for them, screw Hell’s policies CLAIMED

4. warnings: none i thinkprompt: Post-apocalyptic AU! Scrappy mechanic Tony meets badass loner and fighter Bucky (with a clunky metal arm)? Maybe some getting to know (and later: trust) each other and surviving (together?) in a hostile world? Trying to make a living? limitatons and any additional notes:  No dubcon/noncon between Tony/Bucky, no sad ending, no super descriptive toture/body horror, Tony and Bucky should survive. Angst/Pain/Suspense otherwise are fine :)The second art is optional. CLAIMED

5. Desired collaboration level(s): I would love to be included with the writing/brainstorming process, even just so much as being a cheerleader for it!-Additional details/requests/Prompt: Pre-WI/getting together fic. Wing Au. Maybe something like "Winged beings are discriminated against/unliked/people are nervous of them. Picture scene is: Tony was sitting out in the rain/stuck in the rain, Bucky comes and sheilds him from it with his wing. -Do Wants: Hurt/Comfort, angst is fine too, must be happy ending please, I prefer canon-divergent, but total au is fine too. -Do NOT Wants: Beastiality, Mpreg, A/B/O dynamics, BDSM, D/S verse, Hardcore kinks, Genderbends, Non-con, MCD, underage/age-changes/de-aging, Sad endings!(I would prefer no other/background ships, but can be discussed!) CLAIMED

6. Warnings: blood Limitation: non-negotiable absolutely no Steve Rogers bashing Wants: OUAT crossover (non negotiable). Jefferson IS Bucky OR Bucky is Jeffersons twin. Steve as a main character as well. Prompt; Bucky goes missing after a mission, with seemingly no reason. A year later They find Bucky, only he's calling himself Jefferson and crying about a broken hat, and a horrific scar around his neck.

7. warnings: possible gun violence, languageprompt: loosely based on Killing eve "you hired me to kill you!?" "I wanted to see you..." basically, Tony and Bucky (established relationship? Mutual pining? ) haven't spoken in awhile for reasons (are they fighting? Busy? ¯\_(ツ)_/¯) so Tony Hires Bucky to kill him. limitatons and any additional notes: none that I can think of but if you think there's something that could be squicky/a no go, just lemme know. I'm very open to collaboration with my author. CLAIMED

8.  No warnings or limitations.  CLAIMED

9. Warnings: None Prompt: Tony Stark meets Bucky Barnes in 1993 and they both fall for each other. One night, Bucky starts to cry. Tony asks what's wrong and Bucky tells him what happened to his parents. Notes: It really doesn't matter how you end this fic as long it includes some good old fashioned angst! CLAIMED

10. Warnings: noneNotes: Was thinking of a Brookly-99 spin on it, something cute and funny for some feel good happy, but very open to anything really :) CLAIMED

11. warnings: None Prompt: (Description: View is outside of a building. In one window Tony plays the violin. In the other Bucky types away.) CLAIMED

12. Warnings:NonePrompt: (description: Bucky is sitting atop a motorcycle. Tony is approaching him, offering his hand for a handshake. Scene is dusk on an empty road.) CLAIMED

13. prompt: tony is one of the last of his kind (inherited from his mother’s side). he hides his wings from the world, and only pepper, happy, and rhodey know what he is. everything else is canon as per the mcu. it’s up to the author to decide how far in the universe they want to take it, and if they wish to incorporate his wings elsewhere in the series, but tony is iron man and it must be post winter soldier. pre-relationship to getting together. limitations: please no graphic depictions of rape, suicide, or self-harm (specifically cutting. other forms of self-harm are okay, but please no self-inflicted cutting). no character bashing, ESPECIALLY of steve. no major character death. things i would like to see: BAMF!tony, ptsd (from either bucky or tony, or both!), a COOL secret reveal, angst, hurt/comfort, and fluff. some smut is okay! i would love if tony keeps the arc reactor. arm maintenance!! please!! tony being terrified of bucky finding out about his wings, and bucky being scared of hurting tony. relevant notes: tony’s wings are 18 ft (5.4 m) in diameter, and are red and gold. bucky still has hydra arm. that’s about it! i’m flexible on most things :) CLAIMED

14. Description/Prompt: John Wick AU in MCU Open for brainstorming or alternate interpretations Warnings: canon typical violence for story (john wick levels or mcu levels up to author?) Limitations:  DNWs include a/b/o, mpreg, noncon, dubcon between major protagonists, death of major protagonists, unhappy/ bad endings CLAIMED

15. Description/Prompt: any frontier myth/ old wild west tropes welcome Open for brainstorming or alternate interpretations Warnings: canon typical violence for story? Limitations:  DNWs include a/b/o, mpreg, noncon, dubcon between major protagonists, death of major protagonists, unhappy/ bad endings CLAIMED

16. Prompt: Romancing The Stone AU. Tony is a tech reliant city boy who is out of his depth in the South American jungle while trying to save a friend. Bucky is the broke traveller who he convinces to be his guide. Adventures and hijinks and a happy ending ensue. Notes/Limitations: Doesn't have to follow the movie if you're not familiar with it. I don't want Tony to be a damsel in distress that needs to be rescued, just a fish out of water who adapts to his new environment. Any rating is fine, smut is welcome, no character bashing.  CLAIMED

17. warnings: general audiences prompt: Bucky is part of the Avengers but he and Tony keep their distance. On a mission Tony saves Bucky from another fall. Later he asks Tony why he didn't let him slip when he knows he killed his parents. He doesn't believe Tony forgave him and confesses that he sometimes hates Steve for not catching him limitations: no Steve/Bucky/Tony, preferably no Stony, no ABO, no mpreg, preferably no BDSM or dom/sub CLAIMED

18.  warnings: malnutrition, (minor) injuries, shackleslimitations: anything involving children and/or pregnancy CLAIMED

19. Warnings:none Prompt: Mage Tony and assassin/rogue Bucky. Limitatons: No major character death, no infidelity, no unhappy ending, Bucky did not kill Tony's parents, would be absolutely fine with graphic sex Additional notes: Art will have at least one more companion piece featuring Bucky/Winter in Assassin type garb and probably wielding daggers. CLAIMED

20. warnings: none? prompt: Dreadful pirate Bucky with a heart of gold! limitaions and any other notes relevant to the authors for claiming: I'd prefer it if Bucky wasn't actually a bad guy. Go easy on the gore, and please don't do any noncon or dubcon between the OTP. Angst or pain are good as long as there is at least a hopeful ending! CLAIMED

21. Prompt: After the death of King Howard Stark, his son Anthony had to step up to the throne as the rightful heir. James Buchanan Barnes, a knight and new member of the Royal Guard, is sworn to protect his king no matter what. Even if that means protecting Anthony from his own damn feelings. Warnings: N/A Limitations: major character death, terminal illness, homophobia, transphobia, sexism, racism, incest, ableism Notes: Their designs are fantasy-influenced more than historical, and even though I was using MCU as reference, I aged Tony down since canonically Howard died when he was younger anyway! Also the scribble of a background is supposed to be inside the castle, during a party/ball or something? CLAIMED

22. Artist Withdrew.

23. Warnings: None Prompt: The Addams Family AU Limitations/notes: None CLAIMED

24. warnings: none? prompt: Warlord Bucky gets a new conquest: Tony. (How? tribute? prisoner? Marriage contract?) Tony may expect the worst, but slowly discover Bucky isn't so bad... limitaions and any other notes relevant to the authors for claiming: please no evil Bucky. I like getting to know each other and slowly falling in love. No dubcon/noncon between tony/bucky. CLAIMED

25. Warnings: implied violence, kidnappingPrompt: I went with four comic panels sort of depicting a kidnapping scenario. Bucky (probably) wouldn’t be the kidnapper — i'm gonna try and make him look more surprised in the final draft. Limitations: Go wild. G ratings through Explicit is fine with me. Preferably no M-Preg though.  CLAIMED

26. Warnings: None CLAIMED

27. Warnings: None CLAIMED

28. Description/Prompt: fluff or comfort? Warnings: - Limitations:  DNWs include a/b/o, mpreg, noncon, dubcon between major protagonists, death of major protagonists, unhappy/ bad endings CLAIMED

29. Desired collaboration level(s): I would love to be included with the writing/brainstorming process, even just so much as being a cheerleader for it! Additional details/requests/ Prompt: Human!Tony/Werewolf!Bucky. Werewolf au. Do Wants: Hurt/Comfort, angst is fine too, must be happy ending please, I prefer canon-divergent, but total au is fine too. Do NOT Wants: Beastiality, Mpreg, A/B/O dynamics, BDSM, D/S verse, Hardcore kinks, Genderbends, Non-con, MCD, underage/age-changes/de-aging, Sad endings!(I would prefer no other/background ships, but can be discussed!) CLAIMED

[onlystylesangels]

After the Dodgeball Game

Anon: Hiiiii can you do a blurb based on the dodgeball episode where y/n on michelle’s team and harry and y/n hit it off pretty well

Pairing: Harry x Reader

Warnings: Fluff, slight smut, getting hit in the groin?

Word Count: 6k+

A/N: Hi bby! Here is the dodgeball blurb that you requested! I enjoyed writing this (especially towards the end!) I hope you enjoy, lovies. Feedback is much appreciated. Much Love!💓❤💞💕💞💓

Come talk to me about it!

It was a regular day for Y/N. She was shooting some photographs for an upcoming publishing author for her first book.

Y/N was praised for her magnificent work and always was asked if she could take pictures for projects such as these. There were times that she was asked to do album photoshoots with music artists and if she was being honest, she actually enjoyed doing those than any other job offer she was asked to do. Either way, she enjoyed her job very much. It paid the rent back home and she was happy with what she earned from each photo session.

Currently, after she did a photoshoot with the publishing author she came straight home and relaxed for a bit, taking away all that stress that she started to get when she received a call from James Corden himself as he spoke about a television special.

**//**

“Wait, so you want me to play dodgeball with Michelle Obama? The Michelle Obama?” Y/N questioned as her eyes widen from hearing James actually tell her that she was going to be in some sort of team with the First Lady.

“Yes! Are you still in? Or should I call someone else to come?” James asked as his voice sounded more convincing.

Y/N thought about it for a bit. She didn’t have any other jobs to do the next two weeks, so she was totally free. What could one dodgeball game hurt? Plus, she was finally going to meet Michelle Obama, the woman that has inspired her so much.

“I’ll do it, James! It’s going to be in London or in Los Angeles?”

“Los Angeles. I’ll make sure to let my team to send the extra information, yeah? Is that good?”

Y/N had a big smile now, she couldn’t contain the nerves that she had right now. She knew she still had two weeks before even meeting Michelle Obama, but she was so excited to be asked to be in this.

“Uh, yeah! Yeah, I understand. Thank you for giving me a call, James.” Y/N says as she hangs up once they both say goodbye.

If someone would have asked her if she was fine, she would probably lie to you and tell you that she was fine. But being called because you were going to be playing alongside Michelle Obama would have probably made your insides turn with excitement and nervousness. Boy, was she excited for those two weeks to pass by quickly so she could go to L.A. and play a couple of matches.

**//**

Two Weeks Later

Y/N was on her way to the airport since she didn’t live close by California. She had everything ready for the flight. Once she arrived at the airport she made sure to contact James and his team that she was on her way to California in a couple of hours.

In the meantime, Y/N took out a book that she has been enjoying very much recently as the pilot announced that they were going to head out pretty soon.

As soon as she arrived in L.A. She called an UBER and they drove to the CBS studios. The ride was pretty short so Y/N didn’t have a chance to finish up the rest of the book she brought along with her.

**//**

Y/N finally arrived at the studio and was taken to James and the rest of the team

The team took in her two suitcases inside the entrance. James walked out of the studio and walked towards Y/N and brought her in.

“Y/N! How was your flight?”

Y/N smiled and hugged James back.

“It was great, James.” Y/N gave him a pat on the shoulder as they walked beside each other as James arm draped over her shoulders.

“We are going to pre-record tomorrow morning and practice. Do you think you can beat team U.K. with dodgeball, Y/N?” A smirk on his face as Y/N looked at him with a smolder.

“You really think team U.S.A. is not going to win?”

“I mean… yeah. I already know we’re going to win because I'm the captain of the team, so we’re definitely winning.” James says as he crosses his arms over his chest.

“Keep dreaming, James. We’ll see what happens tomorrow.” Y/N says as she stares intently at James hooded eyes. They have a stare off both displaying serious faces. Seconds later they burst out laughing.

“You’re something else, Y/N. Can’t wait for tomorrow, love.” James compliments as he focuses his attention to someone in the studio team.

“Y/N, I almost forgot. You have a room assigned to you for the night. Please follow me, love.”

“A room? I was just going to pay for a hotel room for the two days, are you sure?”

“Y/N. You came here in short notice, it’s the least I could do and arrange a room for you.” James added as Y/N smiled at him and remained quiet. She wanted to thank him. She hugged him as he was explaining the day for tomorrow.

“Thank you so much, James.”

“No need, Y/N. I’m just very glad you are going to spend it with us.” James smiled and rubbed her head.

**//**

And so the rest of the day Y/N, James and the rest of the Late Late show crew all hung out and had dinner before going to bed.

The next day Y/N woke up with a smile on her face. Why was she so happy you ask? Well, she was going to meet Michelle Obama and she was excited playing dodgeball with the rest of the players that she will soon meet.

After Y/N finished eating breakfast and took a little break before getting into a car as they drove her and the amazing women that she was surrounded with to the designated gym they were going to play.

Y/N stared at the tall woman that was talking with someone that had a little headband in his hair. From behind she could see his left arm was filled with tattoos, and tall, he was very tall. She wanted to approach Michelle and this guy, but she stayed behind so they could continue their conversation.

“Y/N. Come here, we have to practice for a bit.” Mila Kunis said as she touched Y/N’s shoulder.

“That’s Michelle Obama.” Y/N whispered to Mila.

“Yeah, it is. She’ll come in a bit, but come practice with us.” She smiled as she looked behind her at the group of women throwing balls at each other.

So Y/N walked towards the group of women and began practicing with them. On the other side of the gym, the young man that Y/N saw a while ago was now with his team as he stared at the mysterious woman that he had no clue who she was.

“Who’s that?” Harry asked Reggie who was the only one practicing with him as the other guys were talking about the tea and cakes they’re going to have later.

“I think that’s Y/N Y/L/N. She’s a photographer, a really good one too.” Reggie adds as he smiles towards Y/N and back at Harry.

“I’ve never seen her before. Is she on the tellie most of the time, or-,”

“She doesn’t like being on the television a lot, she prefers to have her life private, but she is great friends with James.” Reggie said as he started bending down stretching out his limbs and arms.

Harry kept quiet the entire time they were practicing. He couldn’t help his curiosity, he was so enchanted with this woman that always had a smile on her face while she was practicing with her teammates. How could a person be so happy the entire time and not at least have a serious face while training? Would it feel weird to continue staring at a woman for this long, Harry thought. Would it hurt to introduce yourself to someone you really want to know more about? No, it wouldn’t. And he was right.

**//**

The game was about to start. Michelle Obama was giving her team a pep talk before the match and Y/N stared at her with beaming eyes of admiration. She listened to every word she said and saw the passion behind every single word she said.

After Michelle’s encouraging speech, Y/N got up from her seat and asked Michelle Obama if she could sign a copy of her Becoming book. Michelle gladly signs it for her and gives her a tight hug.

“It’s so nice to meet you Y/N. I’ve seen your work, and can I say how beautiful each photograph of yours is. It’s amazing what you’re doing, sweetheart.” Michelle smiled, as she patted Y/N’s shoulder.

“You’ve seen my work?”

“Of course! It would be hard to miss.”

She has seen Y/N’s work? Y/N always thought that her photographs were just shared throughout her clients’ families. Y/N didn’t have an active social media that she posted her pictures, she always kept her work private. But obviously her work wasn’t always going to be private, and that was a good thing they weren’t, she was getting new clients after all.

“I’m happy you like my work, Mrs. Obama.” Y/N declared as she sent her a smile and Michelle returned it back.

And finally it was time, the dodgeball game that the public have been waiting for and Y/N waiting patiently to play for the longest since her stay here in the studio. She has dreamed about it and now it was finally going to happen.

**//**

As soon as the referee whistled the game to begin, both players from each team ran towards the red balls. But Y/N didn’t get to the middle on time, she was just about to touch a ball and grasp it in her hand, but a guy with the tattooed arm grabbed it before her. There was a soft look that was on his features leaving behind the serious, and furrowed brows behind. He was going to give her the ball, but then he thought again, it’s just a game.

Or so that’s what he thought.

During the first round of the game it was only the tall, good looking green-eyed man standing. Y/N had a ball in her hand ready to aim it towards the man that she started to gain a liking in him. Not in a romantic way, but more of a friendly kind of way. The man had a strong grip on the ball that he was holding, he was also ready to throw it towards Y/N. Before he could even throw the ball, Y/N moved a little closer and threw the ball, her intentions were to hit Harry’s thigh, but he jumped up at the wrong time as the ball hit his groin.

Y/N stood standing with her hands covering her mouth in shock and guilt that she just hit this man in the groin. She stared at the man pounding on the floor as he was on his knees and head staring down at the ground. But her team cheered her on and gave her an assuring pat on the shoulder and on the back. What the hell? What the fuck did she just do?

After round one was finished, Y/N was speaking with Michelle and how she felt bad about hitting Harry in the groin, oh how she regrets it.

“I feel so bad, Mrs. Obama. I didn’t mean to hit him there. I jus- I was aiming at his leg not… down there.” Y/N reasons, as she sees a smile forming on Michelle’s face when she looks away from Y/N.

“Hi, can you sign this book for me?” A deep british voice asked as Y/N turned around and made eye contact with the guy that she hit.

Shit.

Should she apologize right now or should she wait until the end of the dodgeball game? Wait or ask right now? She was going to wait after he gets his book signed and then she’ll apologize.

Harry was now walking towards his team’s side of the gym and sat down on the bench and started to read the first page of his copy of the Becoming book.

Y/N took this as an opportunity to apologize to him. She felt guilty that she hit him down there and hope she can get some peace by apologizing.

“Hi.” She squeaked, as she almost face-palmed from how awkward she must’ve sounded.

Harry looked up from his book and smiled at her as she stared down at him.

“Umm, hi.” He replied back as he set the book down next to him on the bench. He scooted a bit to the right so Y/N could sit down next to him.

“Thanks. I just came here to apologize for, you know- hitting you in the groin.” Y/N murmured as she almost looked at his pelvis but looked right up at his eyes before he could notice.

“‘S fine, love. It didn’t hurt as much as a basketball.” He smiled. “I didn’t catch your name.”

“It’s Y/N.” Harry nodded and continued showing that beautiful smile of his that showed off his dimples.

“I’m Harry. It’s nice to meet you, Y/N.” Harry greeted as he put his hand in front of him for her to shake.

They shook hands and smiled at each other. Harry was about to tell her something else, but before he could let it out, the referee blew his whistle signaling that the game was about to start.

**//**

The second game Team U.K. tied up the game. During the beginning of the second match, Harry ran to get the ball, but he tossed it towards the other side, giving it to Y/N. He had no ball and waited until the opposing team threw a ball. Y/N took the ball and aimed it towards James, quickly kicking him out of the match. The last and final round went the same. Harry grabbed the ball and softly tossed it towards Y/N’s way. Harry luckily took the ball that Mila was about to grab and ran backwards and hit Melissa before almost getting hit in the face with the ball that Allison threw his way. He fell down, ass on the ground. While he was on the ground he got hit with a ball and he was out of the game now. Y/N looked over at Harry and felt empathy towards him, but she has to continue and finish the game. So she threw the ball and hit James, then she caught the ball that Reggie threw towards her and out was the “windmill”. Benedict was the last one standing as Y/N, Lena, and Allison all threw their balls towards Benedict. And game three was called and team U.S.A. won the trophy.

Team U.K. hung their heads low and their shoulders slumped. They all looked sad. They were broken physically and bruised emotionally.

Y/N went with her team and took pictures with the big trophy as team U.K. was on the floor still disappointed about their loss. After pictures, both teams went to the lockers and changed into their clothes before they started the game.

**//**

Back at the studio everyone gathered together as they took pictures with each other as a big group. Y/N out of habit took her camera and began taking pictures with everyone. As she was taking a picture of James and Michelle, she felt a tap on her shoulder after she took the photo.

“Hey.” Harry smiled, those dimples appearing once again.

“Hi, Harry.” Y/N beamed as she put her camera down.

“Will it cost me to get my photo taken?” He glanced down at the camera hanging from Y/N’s neck.

“No. But depends what kind of picture you want to take.” Y/N giggled as Harry’s face reddened a bit.

“Didn’t know you took those types of pictures.” Harry nudged her arm and smirked down at her.

Y/N furrowed her brows, finally realizing what he meant.

“I didn’t mean that and you know it.” Y/N said as she looked away from him as she focused on the group formed ahead of her.

“Sorry, I didn’t mean to get ya mad, ‘m sorry, love." He apologized as he tapped Y/N's shoulder again and saw her brows still furrowed and her non-existent smile.

"It's fine. I just got... a little bothered by it."

"I apologise again, I didn't mean to make you feel bothered." He apologized as he ran a hand through his messy curls and slid the white headband out of his hair.

She glanced up at him and smiled. She looked back down at her camera hanging from her neck and grabbed it, "Do you still want a picture?"

**//**

"Didn't know you were such a great photographer." Harry teased as Y/N looked at him as if she was hurt.

"Wow. It's nice to hear that from the 'sign of the crimes' lad. Harry Styles, the most clumsiest person on stage." Y/N giggled after saying what she said.

"Heeeeyyyyy!" Harry slurred. His brows furrowed and eyes narrowed.

"Had to be honest, right?"

"That hurt a bit. But I will be honest, that is quite true, love." He smirked as he got up from sitting on the couch and lied down on the carpeted floor. He patted the spot next to him motioning for Y/N to join him.

After the game, Harry and Y/N started to talk more to each other and they started to like each other's company as well. So Y/N invited Harry if he wanted to hang around at her little room. He accepted her offer and now here they were lying on the floor as they stared up at the nicely painted ceilings.

"You're really great with that camera of yours, Y/N. Probably gonna have to ask ya to be my second photographer during my shows." Y/N stared at him if he was serious about it but nothing on his face showed if he was serious or not.

"Are you serious? You want me to be your new photographer?"

"I mean… if you want to." Harry muttered under his breath making it hard for Y/N to hear. He didn't look at her when he told her that, but probably it was nothing.

"I mean, yeah. I just- I just have to check my schedule if I'm free while you're on tour. When are you on tour exactly?"

"Oh love. I didn't think you wanted to. I was just saying it in the moment because I love your work, but if you want I can send you upcoming tour dates. Just don't show them to anybody, I haven't told the fans yet. They don't even know the second album is finished, I'm just waiting after a couple of weeks and I'm going to surprise them as I always do." He said as he flips his imaginary hair.

"Really nice of you, Harry."

"I'm not being mean! They probably already know about the album. There's a matter of time that news is going to spread before I even announce it."

"And how do you announce it?"

"I post three blank pictures on Instagram. Their reactions is what gets me each time. Their guessing is so overwhelming sometimes, but I love it."

"Hmm, interesting. You're such a beauty aren't you?" Y/N softly punched him on the arm. As Harry sent her a glare and quickly changed his demeanor to a cute smiling mess.

**//**

Time started to pass by as Y/N and Harry both lied on the floor. It was getting late, Y/N and Harry snuck a bit of yawns here and there while they were talking, but neither of them mentioned their tiredness.

Y/N was staring up at the ceiling as her hands were folded on top of her tummy. She almost drifted off to sleep, but Harry shook her shoulder.

“Love! Am I boring you? Do you want me to let you rest?” He asked as he was now on his side facing her.

Y/N rubbed her eyes a bit to get rid of the gloominess out of them.

“I’m sorry, Harry. I was just drifting to sleep for a bit.” Y/N murmured, as she faced Harry with her droopy eyes.

“I think I’m gonna leave, love. It is getting late,-”

“No. Don’t leave just yet, Harry. Can you stay for a bit longer, if only you want to.”

She held onto his arm as he looked down at her hand and looked back at her.

Harry was going to leave, but something in him doesn’t want to leave just yet. He knows that it is late and that he has to get back to his hotel so he can pack up because the next day he was going back home. But this, he couldn’t leave just yet. He couldn’t, he wouldn’t.

“Okay.”

Was all he could say. He lay back down on the floor next to Y/N and they started to talk about their favorite foods. They really did start to enjoy being together as friends. They both weren’t expecting to meet each other, but they were so glad that they met and that right now they were bonding and laughing at whatever terrible jokes Harry was telling and Y/N hiding her red face from all the laughter she shared with Harry.

One could say that they hit it off really well, but for now they were friends and they were okay with that. So yeah, for now they were okay with it.

**//**

For the next two hours, Y/N and Harry continued staring at the ceiling laughing and just enjoying each other’s company. They even got a bit closer to each other as Harry invited Y/N to lie her head on his outstretched arm. They didn’t know what time it was so they never knew when they both fell asleep. Both were comfortable lying on the floor and they were cozied up to each other so they could be warm enough.

Harry never ended up leaving. Their conversations were just too contagious which made him stay and not leave. So he stayed on the floor with her and kept her close to his chest as he smelled her hair and smiled to himself whenever she would get closer to him in her sleep. Talking to her was as if they were friends for a long time ago, as if they haven’t seen and talked to each other in years. He felt comfortable with Y/N and he couldn’t really explain why he felt this strong connection with her when they met just yesterday, but he felt that, and he was sure that she felt it as well. It was weird how they were brought together, but Harry and Y/N were glad they met and they both knew it in themselves that they were never going to regret meeting during that game of dodgeball.

*1 Month Later*

It was a month later and there were some big news for both Y/N and Harry. For Y/N, she was given so many jobs that she even had to reschedule whenever she had a new client and she found herself being super busy with appointments with her clients. As for Harry, he was on every channel. Well… not on every channel but channels that interviewed people. Harry finally released his second album this month and he was crazy about it, (I mean, who wouldn’t?) He announced new tour dates and he teased about merch currently being made. Boy was he a tease.

Anyways, Y/N and Harry were both talking to each other after the dodgeball game. Harry texted and called her a couple times a week, but Y/N didn’t because she was worried if she did, Harry was probably at another interview or just getting ready for his future tours. So, she didn’t really want to pester him by calling him or texting him. Harry was alright with it, he even encouraged her to call and text him and that she shouldn’t worry about him not answering right away, because he even knew how busy he got especially with this new album out.

**//**

*Hours Later*

Right now Y/N was lying down on her couch as she had the television on just for a distraction. She wasn’t really watching it, because she was focused editing a couple of pictures she took earlier today. She didn’t know what was going on the channel that she left the television on, but a certain someone caught her attention as she looked up to see Harry on the television as he was on another interview.

“So, Harry, we heard there’s a particular song dedicated to someone you met during a special event at ‘The Late Late Show with James Corden’. Is this true?” The man interviewing Harry asked, as he had no expression on his face at all.

“I mean it was an amazing experience writing and producing the album and I had a great time at the secret studios I was at, so that was fun.”

The man smiled and looked a bit annoyed. Probably because he didn’t quite get the answer he wanted. “But there’s a song in this second album that is about a certain someone. Can you tell me anything about that song and why you wrote it about that particular person?”

“There are so many songs on the album, so I think all of the songs are about things that personally impacted me. So yeah? There are some songs about certain people. There is one song about someone that has a talent with cameras and loves photographing the beautiful bits of life, so yeah. It was fun creating it.” Harry explained as he smiled towards the man.

“Does this person have a name, Harry?” The man narrowed his eyes at Harry as he hoped to get the answer now, hopefully.

Harry sips his coffee as he looks at the interviewer with that famous dimpled smile.

“Let’s move on.” He simply replied back.

Y/N continued watching the exclusive interview of the iconic second album of Harry’s. She already knew what the interviewer wanted to hear. That one song that Harry dedicated a song to her. She didn’t know why he wrote it, but he did tell her about writing a song about her. She was quite confused why he wrote it, but when she heard the song she understood why. He fell in love with her admiration of cameras which is something Y/N loves. He fell in love with how much spirit she had and how free she portrays herself, something that he wished he could feel at times. He also wrote it because he didn’t know how to tell her how special she was to him when they first met, but writing it in a song was much easier and in his opinion more beautiful and complimentary. Y/N agreed, it was a song that never left it’s rhythmic melodies from her head. The song was honest, and poetic lyrics that sounded like they came out of the mouth of Shakespeare.

Y/N loved the song and it was the only song that she always kept on repeat. She was probably being narcissistic, but she loved the song, she loved ‘her song’.

Harry and Y/N began dating four months later. Harry actually asked her through a skype call. He knew it wasn’t romantic and he wished to ask her properly with a nice dinner and lastly lying down on the grass and looking up at the stars. But he really wished he was with her right now. Y/N said ‘yes’ right away when he asked her and she really did wish that she was with him during that skype call. How she wished she was enveloped in his arms right now. She wished that she could feel his curious hands wandering over her bare skin and feeling herself shiver from the cold material of his rings. But she knew about his current circumstances where he was at and she understood that he had to be present for his shows.

Y/N wished she could cancel every appointment with her clients, but she knew she was going to feel guilty from canceling.

*1 Month ago*

“I want you here, love. Do you think you can stay for the second half of the tour?” Harry asked. His face looked so cute from the pout appearing on his soft features. She wished she could kiss him, but the only thing she would be kissing was the screen of her laptop. She just couldn’t resist that cute face of his.

“I don’t know, Harry.”

“Do you have customers for the next three months?” He asked.

“You know I do, Harry.” Y/N sighed. She looked down at her book that had all the future appointments. “Wait, I think I have some free after this month.”

Y/N checked the dates for the next appointments she will have and they are all this upcoming week. She was going to be busy, but it was going to be worth it, she was finally taking some time off for vacation.

“I think I can go, Harry! I think I can make it through the next couple months, babe!” Y/N exclaimed as Harry smiled and looked genuinely happy for her and of course he was happy that she was going to be able to come along.

“I’m happy, love. See you soon darlin’, I have to get back to the dressing room and get ready. I’ll call you after the show, yeah?”

“Okay, bub. I love you Harry.”

“I love you too darlin’.” Harry waved as he puckered his lips making his kissy face.

**//**

And they both hung up. It was like that for the rest of the week. Calling, texting before or after his shows. So the next month Y/N and Harry were together in England where Harry had a couple shows to perform. Last week Harry went to Y/N’s apartment and surprised her by him being there so they could go together to the airport and head to England. He was already in London, but he wanted to see Y/N and he loved the idea of being with her during the flight.

Everything went well. During rehearsals and after the concert, everything went to plan. Harry had the time of his life as always seeing his incredible, and beautiful fans dancing and singing along with him. He felt even more happy which would be understandable because Y/N was there, but there was something else that made him happy, he was home.

**//**

That night, Harry drove Y/N and himself to his rented house. They didn’t have any plans for the night, but just watch some romcoms before going to sleep. But that didn’t quite happen. They made out on the couch as the television was on as Y/N and Harry were busy kissing each other’s lips and trying so hard to yank each other’s clothes off. It’s been so long since their last time and tonight they deserved it, it’s been so long.

Harry carried Y/N to his bedroom and lay her down on the mattress as he peppered kisses along her jawline and down her collar bone. Y/N started to shiver from the wet kisses that he left on her soft, and delicate skin. Harry, and his kisses were just so overwhelming.

“God, Y/N. You’re so gorgeous.” Harry muttered after every little kiss he tattooed onto her skin. “Such a beauty.” He slid off the straps of her tank top and kissed her shoulders and finally went to kiss her lips as Y/N was already a moaning mess.

Harry slid down and separated Y/N’s legs and landed kisses in the insides of her thighs and brought her pajama shorts down to her ankles and taking them off completely only leaving her with her panties. Harry ran his hands along her thighs and stopped on her core. He moved her panties to the side so he could stick a finger inside her opening.

“You’re already wet fo’ me, love.” He looked at Y/N as she tilted her head back as he licked one long swipe and stuck one finger in. “You missed me that much, hmm?” He hummed as he was eating Y/N out, causing her to let out a moan of ecstasy.

He kept pumping his finger in and out and now inserting two and then three fingers inside of her. Y/N was a moaning mess as she had her hands tangled in Harry’s hair as he moaned each time Y/N pulled harder and harder on his hair. Each time Harry pushed his fingers in Y/N grabbed a chunk of the comforter and turning her head so she could bite the pillow behind her head.

“Harry-, I’m gonna cum Har-,” Y/N panted out. Her breaths becoming a bit uneven.

“Cum, darlin’. Cum for me.” Harry dared. His eyes filled with lust.

Harry kept pushing and pulling out his fingers faster and faster as Y/N kept pulling his hair and balling her fists from the severe pleasure she continued to feel.

“Baby- Harry, please. I need you.” She panted as she bit Harry’s earlobe once he faced her.

“Cum fo’ me first, darlin’.” Harry smirked as he kept pumping his fingers inside of her as he kept his sights on her glossy eyes.

With each push Y/N became vulnerable and kept biting Harry’s earlobe and kissed him as a distraction from the pleasure she was feeling. Harry pushed his three fingers in for the last time and Y/N came undone, Harry’s fingers covered with her as he kissed her shoulders and kissed along her jawline. He brought his fingers up to his mouth and sucked them clean and kissed Y/N’s lips as he caressed her soft cheeks.

And so the rest of the evening Y/N and Harry made love for a couple of hours before they finally got too tired to continue.

Y/N was on her back as Harry was beside her, his chest going up and down as he tried to catch his breath.

“Harry?” Y/N whispered as Harry had his eyes closed and sweat on his forehead.

“Yeah, darlin’?”

Y/N scoots closer to him as Harry wraps his left arm around her and kisses her forehead.

“I missed you. I missed you so much, Harry.”

Harry smiled, “I missed you too, darlin’. But at least you have that song to listen to, hmm? You’ll always have my voice to listen to, baby.” Harry murmured to her as he cupped her face and kissed her luscious lips. Y/N leaned into his touch and giggled while they shared that intimate kiss of theirs.

“I love you so much, Harry.” Y/N mused. She poked Harry’s two big dimples on his cheeks and giggled when he wrapped both of his arms around her and flipped her so she could straddle his lap.

“I love you too, Y/N.” He replied and kissed her, and lastly booped her nose as Y/N giggled from his cuteness.

Harry looked beside him and grabbed Y/N’s camera that was sitting on the nightstand as he got the camera ready to take a picture as he admired Y/N’s beautiful naked body in front of him. Her body shimmering from the moon’s light shining on her glowing skin.

“Now, can I take that picture of you?”

---------------------------------------------------------------------------------------------------------------

[cinemavariety]

The Director’s Series: Sofia Coppola

The director series will consist of me concentrating on the filmography of all my favorite directors. I will rank each of their films according to my personal taste. I hope this project will provide everyone with quality recommendations and insight into films that they might not have known about. Today’s director in spotlight is Sofia Coppola

#6 - The Beguiled (2017) Runtime: 1 hr 33 min     Aspect Ratio: 1.66 : 1                     Film Format: 35 mm

During the Civil War, at a Southern girls’ boarding school, young women take in an injured enemy soldier. As they provide refuge and tend to his wounds, the house is taken over with sexual tension and dangerous rivalries, and taboos are broken in an unexpected turn of events. Verdict: Coppola’s most largely feminist work of her canon. The Beguiled is both a moody ensemble tale and a doomed period piece set during the Civil War era. Power plays are passed among the women as they subtly vie for attention from the injured solider they take under their wing. As usual, Coppola has a trained eye for beautiful frame composition. Her use of 35mm brings an extra textured layer to the events - even if they never get as probing as the trailers promised.

#5 - Somewhere (2010) Runtime: 1 hr 33 min   Aspect Ratio: 1.85 : 1                  Film Format: 35 mm

After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit. 

Verdict: Somewhere is Sofia at her most soft, subtle, and minimalist. In fact, this film washes over you like a gentle breeze. Playing on themes she explored in Lost in Translation, Somewhere is a story of a man living a hedonistic lifestyle. Although he is adorned with riches and beautiful people, he cannot help but feel a deep existential loneliness. His lifestyle is interrupted by the arrival of his daughter who slowly helps him wake up from his daze of dissatisfaction by enjoying the moment. Not Sofia’s most exciting, but still wholly satisfying.

#4 - Lost in Translation (2003) Runtime: 1 hr 42 min   Aspect Ratio: 1.85 : 1 Film Format: 35 mm

Two lost souls visiting Tokyo – the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial – find an odd solace and pensive freedom to be real in each other’s company, away from their lives in America. 

Verdict: While this film didn’t click with me on initial viewing - it’s beauty has grown on me exponentially over the years whenever I revisit it. Lost in Translation, at its base level, is an examining of the social isolation people can feel - even when they are surrounded by people. You know that feeling when you are lonely even in a crowded room? This film is that feeling idealized to celluloid. Scarlett and Bill’s chemistry is just about perfect and we get to bear witness to a pure friendship developing against the turmoil of life’s daily anxieties.

#3 - The Bling Ring (2013) Runtime: 1 hr 30 min   Aspect Ratio: 1.85 : 1 Film Format: RED Epic Digital

Inspired by actual events, a group of fame-obsessed teenagers use the Internet to track celebrities’ whereabouts in order to rob their homes. 

Verdict: The Bling Ring is Coppola’s least successful effort in most film critics eyes - however I found it to be one of her most lively and fun projects she’s ever done. Inspired by a Vanity Fair article, the fact that this film is based on true events makes it even more wildly entertaining. Coming out the same year as Spring Breakers did, this film also projects a spotlight on delinquent youth culture characterized by a vapid and soul-sucking love for materialism. While this film does grow repetitive in structure, Coppola finds a real rhythm in all the robbing the teenagers commit. Emma Watson shines, especially at the end after she is arrested. She continues to be completely ignorant to her actions as she tells reporters “I'm a firm believer in Karma and I think this situation is a huge learning lesson for me... I want to lead a country one day for all I know.”

#2 - Marie Antoinette (2006) Runtime: 2 hr 3 min  Aspect Ratio: 1.85 : 1 Film Format: 35mm

The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles. 

Verdict: Those looking for a factually accurate historical tale should look the other way - Sofia created a period piece of her own design with Marie Antoinette. The results speak for themselves. The film chronicles the rise and fall of the young queen as she lavishly exploits her lifestyle of decadence. Kirsten Dunst has always been one of my favorite actresses, and she plays the titular role with such an elegant grace. The color palette of this film is a smorgasbord of colorful and bright pastels, the production design is extremely detailed, and the wardrobes are beyond impressive. Coppola’s choice to implement modern day flourishes such as a quick shot of Converse sneakers, or playing The Strokes over a montage scene is nothing short of an auteur at her finest. All of these elements combine to make a near perfect film.

#1 - The Virgin Suicides (1999) Runtime: 1 hr 37 min   Aspect Ratio: 1.85 : 1 Film Format: 35mm

A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents. 

Verdict: Some artists strike gold with their debut feature, and this is most definitely the case with The Virgin Suicides. While I adore all of Sofia’s filmography, none of her other films even come close to the perfection of this film in my opinion. Suicide has impacted me many times in my own life, and Sofia Coppola takes this subject matter and turns into something hauntingly poetic. Loneliness and isolation permeates this film. While these type of themes could become misery porn in the hands of the wrong director, Sofia tackles them with great consideration. What makes this story even more poetic and mysterious is the fact that the story of these five girls is relayed through the memories of a group of obsessive teenage neighbor boys. They are all struck and intoxicated by the angelic Lisbon sisters, who are soon doomed to their rooms for the rest of eternity due to the strict religious fervor of their parents. They recall these events not exactly as they might have happened, but as how they remembered them. The Virgin Suicides is an exploration of the transiency of existence, and how certain people will forever leave their mark, no matter how long after they have passed away. “It didn't matter in the end how old they had been, or that they were girls. But only that we had loved them, and that they hadn't heard us calling, still do not hear us calling them from out of those rooms where they went to be alone for all time... and where we will never find the pieces to put them back together.”

[hope-the-myope]

Character Name Tips

One thing I love doing (instead of actually writing) is creating characters.  But with all these concepts, how am I supposed to keep them straight?  How do I remember which one had the tooth gap and the angelic laugh and which one had the sideburns and tragic past?  Why, I gotta name them, of course!

Sometimes naming a character can be the most daunting thing about the design process, and a safe bet is letting a random name generator or a website like BehindtheName.com handle the hard work for you. But if you're getting bored of the same lists over and over or you just can't find a name with the perfect ring to it, here's some other ideas to try: 

Use Google translate to translate (obviously) a word that symbolizes your character—like peace, hope, mind, forest—or a word that is an iconic image for your character—like tooth or sideburns in the previous examples.  Flip through some languages until you find just the right sound and yoink that boy right out of Google translate for a new name!  And for any of these options, feel free to adjust the products to your liking.  It’s your story.

Is your character a professional?  An aspiring artist maybe?  Take inspiration from real people!  If your character is the champion of playground fights, maybe her name is Ally, after Muhammad Ali.  (Wikipedia is your friend here.)

Spirit Animals – Can you think of an animal that embodies your character perfectly?  Of course you can!  (and if you think you can't, you're the boss, babey—just make it up!)  Check out that animal’s scientific name for inspiration. For example—if you have a character as grumpy as a bear, you might take inspiration from the bear genus Ursus and name her Ursula.

Dictionary.com time, y'all!  Or rather—Thesaurus.com.  Remember those words from #1?  The ones that embody your character like peace or tooth?  Plug those bad babes into a thesaurus for some more obscure synonyms.  Did I say peace and tooth?  I meant my new characters Amy (amity) and Ivory (I ripped this one straight from the entry).

Switch-a-roo – Are you sick of all these normal boring names?  Do you think naming your character Anna would be too bland for your intergalactic adventure story?  Try replacing one letter—or all of them, if you’re feeling feral—and read it aloud.  If it's too hard to pronounce, pick a different letter until you get the sound right. Change Anna to Afna, or Anna to Anja, or Anna to Efri, if you do decide to replace all the letters.

Research—it’s a little scary, but if you want to include a bit of diversity or historical background in your story, using real names is the way to go!  Check out common Czech names, Tanzanian names, Chinese names, whatever you need for your story, and run with it.  But don't run too fast—make sure you understand the naming rules.  For example, in Czech, last names will pick up an ending based on the gender of your character, and in Russian (at least historically; I don't know much about Russian), the surname is the father's first name with a gender-based ending.  I always try searching for my character's full name online first to see if any real person has it.  If it exists, it probably follows the rules.

Take names from graves.  Be respectful about it, of course.  I usually catch names by passing cemeteries in a car or bus, but the names of real people, once again, are always a good place to start to find believable names.

Street signs – like the previous option, look in your surroundings for name inspiration.  Street names, town names, names written on the side of a mailbox or the front a building—all could be your next Huckleberry Finn.

Voldemort—this one takes a while but could be a fun activity. Choose a sentence or word that really embodies your character.  It could be relevant to your story's plot, or it could be your favorite line from a movie. Write that bad boy with pencil and paper and cut out each letter individually.  Scramble them up, and see what cool anagram names you can come up with. In the US, at least, first and last names are on average 6 letters each, so even with the allotment of a middle name, you should be picking some pretty short sentences.

Lastly, sometimes it's just about the vibe.  Before my characters get a real name, they get an  archetypal stand-in name.  The main character trying to disguise his angel wings around his friends is “Boyman,” the boy genius somehow struggling to pass his math class is “Matthewmatics,” and the antagonist that can simply be described as just ‘another one’ is “Khaled.” (I started this story a few years back; DJ Khaled was still popular then.) And after I get them fleshed out and ready to write about, I refine their names.  Now I have the angel Banonjael, the student Matt (what a surprise), and the demon Kogaroth (I also took some inspiration from Wiki's Demon Names page).  I kept the intital letter, and sometimes more, but the names are more fitting and less archetypal.  These characters only get their names after a long period of getting to know them and understanding their vibe.  So maybe instead of pushing a Brady or an Ivory or an Efri onto your characters so soon, give them some time, and just stick with “Boyman” for now.